Piano | Turkey
With his extraordinary pianistic talents, Fazıl Say has been touching audiences and critics alike for more than twenty-five years, in a way, that has become rare in the increasingly materialistic and elaborately organised classical music world. Concerts with this artist are something different. They are more direct, more open, more exciting; in short, they go straight to the heart.
Since the beginning of his career he has played with all of the renowned American and European orchestras and numerous leading conductors, building up a multifaceted repertoire ranging from Bach, through the Viennese Classics (Haydn, Mozart and Beethoven) and the Romantics, right up to contemporary music, including his own piano compositions.
Guest appearances have taken Fazıl Say to countless countries on all five continents; the French newspaper “Le Figaro” called him ‘a genius’. He also performs chamber music regularly: since many years he has been part of a fantastic duo with violinist Patricia Kopatchinskaja. Other notable collaborators include Maxim Vengerov, the Minetti Quartet, Nicolas Altstaedt and Marianne Crebassa.
As a composer, Say has been commissioned to write music for, among others, the Salzburger Festspiele, the WDR and the Schleswig-Holstein Musik Festival, the Festspiele Mecklenburg-Vorpommern, the Konzerthaus Wien, the Dresdner Philharmonie, the Louis Vuitton Foundation, the Orpheus Chamber Orchestra and the BBC. His oeuvre includes four symphonies, two oratorios, various solo concertos and numerous works for piano and chamber music.
Highlights of the 2020-21 season include concerts with the Münchner Philharmoniker under Thomas Hengelbrock in Munich and Baden-Baden, the Tonhalle-Orchester Zürich under Paavo Järvi in Zurich and Hamburg, the Israel Philharmonic Orchestra under Iván Fischer, the Orpheus Chamber Orchestra and the Classic Open Air on the Gendarmenmarkt with the Konzerthausorchester Berlin and Christoph Eschenbach.
In recitals Fazıl Say can be heard in Japan and European cities such as Milan, Paris, Budapest, Moscow and Munich; in the first half of the season he dedicates his programmes mainly to Beethoven’s sonatas, in 2021 he takes Bach's Goldberg Variations and Schubert's C minor Sonata D 958 with him on tour.
Fazıl Say also regularly performs his own works in concert, including his piano concerto "Silk Road" with the Orchestre de Chambre de Lausanne, the Georgian Chamber Orchestra and the Irish Chamber Orchestra; "The Moving Mansion" with the Orpheus Chamber Orchestra, the Würth Philharmoniker and the Amsterdam Sinfonietta; his song cycle "İlk Şarkılar" with mezzo-soprano Serenad Bağcan in Hamburg, Zurich and İstanbul, and his İstanbul Symphony with the Orchester der Komischen Oper Berlin.
Fazıl Say has produced an extensive discography of over 40 CDs. His recordings for Teldec Classics, naïve and Warner have received numerous awards, including four ECHO KLASSIK and a Gramophone Classical Music Award. Since 2016 Fazıl Say has been an exclusive artist with Warner Classics, where his last recording of all Beethoven’s piano sonatas was released in January 2020.
Cello | Latvia
Latvian cellist Kristina Blaumane is invited to perform as a soloist with orchestras, recitalist and chamber musician around the world.
She has performed concertos with London Philharmonic Orchestra (under Vladimir Jurowski, Osmo Vänskä, Thierry Fischer, Michal Dworzynski), Amsterdam Sinfonietta (Lev Markiz, Peter Oundjian), Chicago Civic Orchestra (Andris Nelsons), MDR Symphony Orchestra (Kristjan Järvi), Kremerata Baltica, Britten Sinfonia, Latvian National Symphony Orchestra, Latvian National Opera Orchestra, Liepaja Symphony Orchestra, Lithuanian Chamber Orchestra, Lithuanian National Symphony Orchestra, Sinfonietta Riga, Tallinn Chamber Orchestra, Sofia Soloists, Plovdiv Opera Orchestra, Netherlands Wind Ensemble, Ensemble Ubertini, Dalarna Sinfonietta and others.
Kristina is a keen chamber musician and has worked in partnership with such renowned artists as Isaac Stern, Gidon Kremer, Yo Yo Ma, Yuri Bashmet, Leiv Ove Andsnes, Maxim Rysanov, Boris Brovtsyn, Roman Mints, Janine Jansen, Michael Collins, Isabelle van Keulen, Julian Rachlin, Dmitry Sitkovetsky, Bruno Giuranna, Misha Maisky, Nikolaj Znaider, Tatyana Grindenko, Alina Ibragimova, Katya Apekisheva, Jacob Katsnelson, Oleg Maisenberg among others, and has performed at the festivals such as Lockenhaus, Gstaad, Salzburg, Verbier, Basel, Jerusalem, Amsterdam Cello Biënnale, Utrecht, Spitalfields, Cheltenham, Aldeburgh and Homecoming.
Kristina is also a member of Trio Palladio. Their recent release of piano trios by Peteris Vasks on Ondine label received a great critical acclaim and was Gramophone Magazine Editor’s Choice.
Kristina has been an avid promoter of new music. She made a number of world premieres, among them cello concertos by Dobrinka Tabakova, Kristaps Pētersons, Pēteris Plakidis and Artem Vassiliev. Her recording of cello concerto by Dobrinka Tabakova which was released on ECM label reached number 2 in the UK classical charts and did receive a GRAMMY nomination. Besides this CD Kristina has recorded for Bis, ONYX, Harmonia Mundi, Quartz and BMG labels.
Born in Riga in the family of musicians, Kristina graduated from Latvian Academy of Music and Guildhall School of Music and Drama in London. She is a winner of many awards including Latvian Philharmonic Young Musician of the Year, Latvian Television competition “Alternativa”, Carmel International Competition, Musicians Benevolent Fund and Lord Mayor’s Prize. Kristina is a two time laureate of Grand Music Award (Lielā Mūzikas Balva), the highest prize given by the Latvian State in the field of music (2005; 2007).
Since 2007 Kristina combines her busy career with a principal cello position in London Philharmonic Orchestra.
Piano | Switzerland
Pianist, conductor, and composer, Mikhail Pletnev is one of the most respected and influential artists of the era. His prodigious talent as a pianist has earned widespread acclaim ever since the 1978 Tchaikovsky International Piano Competition, where he won First Prize at the age of 21. An invitation to perform at a 1988 diplomatic summit in Washington led to Pletnev’s friendship with Mikhail Gorbachev and a lifelong commitment to dismantling barriers through the universal language of music.
In 1990, Pletnev formed the Russian National Orchestra – the first independent orchestra in Russia’s history. Under his leadership, the RNO achieved recognition as one of the world’s great orchestras.
Over thirty years later, Pletnev has renewed his commitment to artistic freedom with his founding of the Rachmaninoff International Orchestra, named after the celebrated pianist, conductor, and composer whose own career inspired audiences from all corners of the globe.
Pletnev’s performances and recordings have shown him to be an outstanding interpreter of an extensive repertoire, both as a pianist and conductor. His recordings have earned numerous prizes, including a 2005 Grammy Award for his own arrangement of Prokofiev’s Cinderella. He received Grammy nominations for Schumann’s Symphonic Etudes (2004) and the Rachmaninoff and Prokofiev Piano Concertos No. 3 (2003). His critically acclaimed album of Scarlatti’s Sonatas (Virgin/ EMI) received a 1996 Gramophone Award, and his recording of the complete Beethoven symphonies and piano concertos (Deutsche Grammophon) was named “Best of 2007” by the NewYorker.
Pianist, conductor, composer, and cultural leader – all are significant facets of Mikhail Pletnev’s remarkable life. Yet with his characteristic humility, he insists that he is, simply, a musician.
Violin | Italy
An extraordinary talent, Gibboni manages to astonish with each of his performances. Solid technique, impeccable intonation even on an instrument as unfamiliar to him as the Cannone, which he took up for the first time in these days, the young artist does not 'only' have the qualities of a great virtuoso: he also has a first-rate interpretative intelligence, a full cantabile and is capable of multiple dynamic nuances. La Repubblica, Roberto Iovino
With flawless technique and compelling expressiveness, Giuseppe Gibboni won over the jury and audience of the Paganini Violin Competition in Genoa in October 2021. The violinist, born in 2001, was the first Italian in 24 years to win the overall prize, as well as the audience choice prize and special prize for the best interpretations of Niccolò Paganini's Capriccios and Violin Concerto. Subsequently, the now 22-year-old musician has begun an extensive concert career. He made his debut with Tchaikovsky's Violin Concerto with the Orchestra dell'Accademia Nazionale di Santa Cecilia under the direction of Lorenzo Viotti. Shortly thereafter, he played with guitarist Carlotta Dalia at the invitation of Italian President Sergio Mattarella at the Quirinal Palace in Rome; the concert was broadcast live on Italian radio.
The highlights of the season 2022/23 include his US debut with the Detroit Symphony Orchestra under Jader Bignamini as well as concerts with the Orchestra della Toscana under Diego Ceretta and the Orchestra Teatro San Carlo in Naples under Dan Ettinger. Giuseppe Gibboni performed the Violin Concerto by Wynton Marsalis together with the Orchestra Sinfonica Nazionale della RAI under John Axelrod and Vivaldi’s *Four Seasons* with the Sinfonietta Riga in Latvia. He regularly plays recitals all over Italy, for example at Amici della Musica in Florence, Serate Musicali in Milan, Teatro Petruzzelli in Bari, as well as the Stresa Festival, among others.
In autumn 2023, Giuseppe Gibboni gave his debut with the Maggio Musicale Fiorentino Orchestra under Zubin Mehta, performing Mendelssohn’s Violin Concerto, as well as with the Orchestra Sinfonica di Milano under Joel Sandelson, performing Tchaikovsky’s Violin Concerto. During the current season, following a tour throughout Brazil and among numerous engagements in Italy, he can also be heard as part of the series “Debüt im Nikolaisaal” in Potsdam as well as at Heidelberger Frühling.
The son of a family of musicians, Giuseppe Gibboni was first taught by his father Daniele Gibboni before attending the Salerno Conservatory “Martucci.” At the age of 14, he was admitted to the Stauffer Academy in Cremona, where he received lessons from Salvatore Accardo. He also successfully graduated with a Diploma of Honor from the Accademia Chigiana in Siena. After a five-year advanced course at the Accademia Perosi in Biella with Pavel Berman, he now studies at the Mozarteum University in Salzburg as a student of Pierre Amoyal.
Giuseppe Gibboni had already attracted attention with a series of competition successes. He became known to a large television audience in 2016 through his success in the *Prodigi – La musica è vita* competition broadcast by RAI 1 in collaboration with UNICEF. In the same year, he won the first prize and a special prize at the Andrea Postacchini Violin Competition, followed by successes at the Leonid Kogan International Competition in Brussels (2017), the George Enescu International Competition in Bucharest (2018), and the Valsesia Musica Competition (2020).
Giuseppe Gibboni recorded his debut CD at the age of 15 for the Warner Classics label. Since 2017, he has been sponsored by Classically Connected, Inc. (formerly the Si-Yo foundation), who provided his ‘F. Tourte bow 1800 Ca.’ He plays the violin ‘Auer, Benvenuti’ by Antonio Stradivari, Cremona 1699, kindly lent to him by a German Foundation. As the winner of the Paganini Competition, he also had the opportunity to perform the "Cannone," Niccolò Paganini's favorite instrument built by Guarneri del Gesù in 1743
Violin | Italy
Effervescent musicianship, intense lyricism and beguiling tonal beauty belong to the qualities that have secured Sergej Krylov’s place among today’s most renowned performers.
A regular guest with several major institutions and world’s leading orchestras, Sergej Krylov has appeared with Russian National Orchestra, Filarmonica della Scala, Accademia Nazionale di Santa Cecilia, Orchestre Philharmonique de Radio France, DSO Berlin and Budapest Festival Orchestra.
He has collaborated with many leading conductors as Mikhail Pletnëv, Dmitrij Kitajenko, Jukka-Pekka Saraste, Vasily Petrenko, Andrey Boreyko, Vladimir Jurowski, Valery Gergiev, Andris Poga, Marin Alsop, Fabio Luisi, Roberto Abbado, Yuri Temirkanov, Dmitry Liss, Yuri Bashmet and Michał Nesterowicz.
As Music Director of the Lithuanian Chamber Orchestra since 2008, Sergej Krylov loves assuming the dual role of soloist and conductor in a wide repertoire ranging from Baroque to contemporary music.
Among the major engagements of the current season, there are concerts with Orchestre Philharmonique de Monte-Carlo and Jukka-Pekka Saraste, Russian National Orchestra and Orchestra dei Pomeriggi Musicali with Mischa Maisky, next to solo recitals and chamber music events in major concert halls of Europe.
Highlights of the previous seasons include performances with London Philharmonic and Royal Philharmonic orchestras, Berner Symphonie Orchester, Dresdner Philharmonie, Philharmonie Zuidnederland, Slovenska Filharmonija, Moscow and St Petersburg Philharmonics, Orchestra del Maggio Musicale Fiorentino, Orchestre philharmonique de Strasbourg and Royal Liverpool Philharmonic.
Born into a family of musicians in Moscow in 1970, Sergej Krylov began studying the violin at the age of five and completed his training at the Moscow Central School of Music. Krylov’s discography includes recordings for EMI and Melodiya, two releases on Deutsche Grammophon, Ezio Bosso’s Violin Concerto released by SONY Classical and Krzysztof Penderecki’s Violin Concerto Metamorphosen.
Piano | South Korea
Gold medallist of the Fifteenth Van Cliburn International Piano Competition, Yekwon Sunwoo has been hailed for his “unfailingly consistent excellence” (International Piano) and celebrated as “a pianist who commands a comprehensive technical arsenal that allows him to thunder without breaking a sweat” (Chicago Tribune). A powerful and virtuosic performer, he also, in his own words, “strives to reach for the truth and pure beauty in music”.
The first Korean to win Cliburn Gold, Yekwon’s 19/20 season includes appearances with Fort Worth and Tuscon Symphonies and the Bucheon Philharmonic and debuts with Washington Chamber Orchestra, Royal Danish Orchestra and Danish Radio Orchestra amongst others as well as a debut appearance at the Vail Festival with Dallas Symphony. Recital highlights include Four Season Arts, San Antonio Arts and the Stadttheater Aschaffenburg. 20/21 will see Yekwon make his debut with Orchestra Chambre de Paris and Tugan Sokhiev and return to KBS Symphony with Jaap Van Zweeden.
In previous seasons, he has performed as soloist with the Baltimore Symphony Orchestra under Marin Alsop, Houston Symphony, National Orchestra of Belgium, Sendai Philharmonic and Royal Scottish National Orchestra amongst others. Recital appearances include Carnegie Hall, Wigmore Hall, Elbphilharmonie, Salle Cortot and Kumho Art Hall.
An avid chamber musician, Yekwon’s collaborators include Benjamin Beilman, Linus Roth, Andrei Ioniță, Sebastian Bohren, Isang Enders, Tobias Feldmann, Gary Hoffman, Anne-Marie McDermott and the Jerusalem and Brentano Quartets. He has also toured Costa Rica, Guatemala and Panama with the Kumho Asiana Cultural Foundation, performed at Chamber Music of Lincoln Center’s Inside Chamber Music Lectures and been invited to the Summit Music, Bowdoin International and Toronto Summer Music Festivals.
In addition to the Cliburn Gold Medal, Yekwon won first prizes at the 2015 International German Piano Award, the 2014 Vendome Prize held at the Verbier Festival, the 2013 Sendai International Music Competition and the 2012 William Kapell International Piano Competiton.
Born in Anyang, South Korea, Yekwon began learning the piano at the age of 8 and made his recital and orchestral debuts in Seoul at 15. His teachers include Seymour Lipkin, Robert McDonald, Richard Goode and Bernd Goetzke.
In 2017, Decca Gold released Cliburn Gold 2017 two weeks after Yekwon was awarded the Gold Medal and includes his award-winning performances of Ravel’s La Valse and Rachmaninov’s Second Piano Sonata.
A self-proclaimed foodie, Yekwon enjoys finding Pho in each city he vists and takes pride in his own homemade Korean soups.
Violin | Ireland
The violinist Daniel Hope has toured the world as a virtuoso soloist for 30 years and is celebrated for his musical versatility as well as his dedication to humanitarian causes. Winner of the 2015 European Cultural Prize for Music, whose previous recipients include Daniel Barenboim and the Berlin Philharmonic Orchestra, Daniel Hope appears as soloist with the world’s major orchestras and conductors, also directing many ensembles from the violin. Since the start of the 2016/17 season Hope is Music Director of the Zurich Chamber Orchestra – and from the 2018/19 Season also Music Director of the New Century Chamber Orchestra in San Francisco.
In 2019 he became Artistic Director of the Frauenkirche Cathedral in Dresden, and from 2020 he will assume the role of President of the Beethovenhaus Bonn, an honorary position following in the footsteps of Kurt Masur and Joseph Joachim.
Daniel Hope was raised in London at Highgate School and the Royal Academy of Music, studying the violin with Zakhar Bron, Itzhak Rashkovsky and Felix Andrievsky. The youngest ever member of the Beaux Arts Trio with whom he performed over 400 times during its final six seasons, today Daniel Hope appears at all the world’s greatest halls and festivals: from Carnegie Hall to the Concertgebouw Amsterdam, from Salzburg to Schleswig-Holstein and from Aspen to the BBC Proms and Tanglewood. He has worked with conductors including Kurt Masur, Valery Gergiev and Christian Thielemann, and with the world’s greatest symphony orchestras including Berlin, Boston, Chicago, Paris, London, Los Angeles and Tokyo. Devoted to contemporary music, Hope has commissioned over thirty works, enjoying close contact with composers such as Alfred Schnittke, Toru Takemitsu, Harrison Birtwistle, Sofia Gubaidulina, György Kurtág, Peter Maxwell-Davies and Mark-Anthony Turnage.
Daniel Hope is one of the world’s most prolific classical recording artists, with over 25 albums to his name. His recordings have won the Deutsche Schallplattenpreis, the Diapason d’Or of the Year, the Edison Classical Award, the Prix Caecilia, the ECHO-Klassik Award and numerous Grammy nominations. His album of Mendelssohn’s Violin Concerto and Octet with the Chamber Orchestra of Europe was named one of the best of the year by the New York Times. His recording of Alban Berg’s Concerto was voted Grammophone Magazine’s “top choice of all available recordings”. His recording of Max Richter's Vivaldi Recomposed, which reached No. 1 in over 22 countries is, with 250,000 copies sold, one of the most successful classical recordings of recent times. Hope has been an exclusive Deutsche Grammophon artist since 2007.
In 2017 the documentary film “Daniel Hope – The Sound of Life” was screened in European cinemas as well as in Movie Theatres in Australia and North America.
Daniel Hope has penned four bestselling books published in Germany by the Rowohlt publishing company. He contributes regularly to the Wall Street Journal and has written scripts for collaborative performances with the actors Klaus Maria Brandauer and Mia Farrow. In Germany he presents a weekly radio show for the WDR3 Channel and curates, since the 2016/17 season his own salon “Hope@9pm”, a music and talk event with guests from culture and politics at the Konzerthaus Berlin.
Daniel Hope plays the 1742 “ex-Lipínski” Guarneri del Gesù, placed generously at his disposal by an anonymous family from Germany.
He holds both Irish and German citizenship and resides with his family in Berlin. January 2020
Piano | South Korea
Yeol Eum Son’s graceful and timeless interpretations, crystalline touch and versatile, thrilling performances have caught the attention of audiences worldwide. Praised for her widely eclectic concerti repertoire, ranging from Bach, all-Mozart, early German and Russian Romantic to Gershwin and Ligeti, Yeol Eum has collaborated with major ensembles worldwide such as Gürzenich-Orchester Köln, Konzerthausorchester Berlin, Dresdner Philharmoniker, The Tonkunstler Orchestra at the Grafenegg Festival, Bergen Philharmonic, Orchestre Philharmonique de Radio France, Orchestre de la Suisse Romande, Seoul Philharmonic, St. Petersburg Philharmonic and Moscow Virtuosi among many others.
Yeol Eum performs with conductors such as Dmitri Kitayenko, Valery Gergiev, Vasily Petrenko, Vladimir Spivakov, Andrew Manze, Susanna Mälkki, Omer Meir Wellber, Cristian Măcelaru, Pietari Inkinen, Jonathan Nott, Mikko Franck, Nicholas Collon, Joshua Weilerstein, Joana Carneiro, Pablo González, Case Scaglione, Roberto González-Monjas and Yan Pascal Tortelier.
Across the 20/21 season Yeol Eum serves as Artist in Residence with the Residentie Orkest from the Hague. In front of the Dutch audience and under the baton of conductors Nick Collon, Pablo González and Joshua Weilerstein, Yeol Eum presents a selection of some of the finest concerti of the piano repertoire including Mozart's Piano Concerto No. 17, Beethoven's Piano Concerto No.4, Chopin's Piano Concerto No. 2 and Ravel's Piano Concerto in G. Beyond Zuiderstrandtheater in the Hague, her residency will take her to some of the major venues across the Netherlands including Amsterdam's Concertgebouw, Apeldoorn's Orpheus and Utrecht's TivoliVredenburg, Yeol Eum also gives a recital at the Hague's Nieuwe Kirk and a Masterclass at the Hague's conservatory.
In summer 2019 Yeol Eum made her Royal Albert Hall and BBC Proms debut with the BBC Philharmonic interpreting Mozart’s Piano Concerto No. 15. Her most recent debut with the Liverpool Philharmonic (Beethoven’s Emperor Concerto) was met with high acclaim for which Johanna Roberts wrote: Yeol Eum Son throughout demonstrated the technical excellence partnered with lyrical sensitivity that have made her one of the most sought-after concert pianists in a virtuoso performance that was much appreciated by the audience. During her recent UK tour with the Iceland Symphony Orchestra, Yeol Eum returned to London’s Cadogan Hall and debuted at Edinburgh’s Usher Hall and at Basingstoke’s the Anvil Concert Hal (Ravel’s Piano Concerto for the left hand). Following her hugely successful debut with Aurora orchestra earlier in 2019, Yeol Eum © 2017 IMG Artists; Please do not make alterations to this biography without contacting IMG Artists. was instantly re-invited and features as a soloist on their March 2020 tour under Nick Collon (Mozart Piano Concerto No.23) with concerts taking place at King’s Place in London as well as at St George’s concert hall in Bristol and at the Apex concert hall in Bury St Edmunds. Yeol Eum subsequently makes her debut with Aurora Orchestra at the opening of the Heidelberger Frühling festival.
A distinguished Mozart interpreter, in the recent concert seasons, Yeol Eum made major UK debuts with the CBSO in Birmingham (Mozart’s Piano Concerto No 21) and at London’s Cadogan Hall with the Academy of St. Martin in the Fields (Mozart’s Piano Concerti No’s 8 & 21). Her London debut coincided with Onyx CD release of a highly acclaimed all-Mozart recording featuring Mozart’s Piano Concerto No.21 with the Academy of St Martin in the Fields under Sir Neville Marriner for whom it was the very last recording. According to The Times Yeol Eum Son is a model of clarity and fleetness whilst Gramophone called the recording an uncommonly fine Mozartian debut.
Further concerti debuts across the 19/20 season and beyond include collaborations with Budapest Festival Orchestra (Rachmaninov No. 2); West Australian Symphony Orchestra (Mozart No. 21); New Zealand Symphony Orchestra (Mozart No. 27); St Paul Chamber Orchestra (play-direct of Beethoven No.4); Bournemouth Symphony Orchestra (Beethoven No.4); Liège Philharmonic (Gershwin Rhapsody in Blue and Variations on I got Rhythm); Helsinki Philharmonic (Yashiro Piano Concerto); WDR Symphony Orchestra Cologne at the RadiRo Festival in Bucharest (Rachmaninov No. 2); Philharmonie de Paris debut with Orchestre National d'Île-de-France (Rachmaninov No.2); RTVE Symphony Orchestra (Szymanowski Sinfonia Concertante) and a tour of Belgium with the Flanders Symphony Orchestra (Liszt No.1). Following her previous successful collaborations, Yeol Eum returns to Gävle Symphony Orchestra (Chopin No.2), Bergen Philharmonic (Rachmaninov No.2), Gürzenich Orchestra Cologne (Prokofiev No.2) and Deutsche Radio Philharmonie Saarbrücken (Prokofiev No.3).
A sensitive, emotional and powerful recitalist, Yeol Eum gives frequent solo and chamber performances across the globe. Most recent recitals include debuts with San Francisco Chamber Music Society, The Phillips Collection in Washington DC, Helsingborg Piano Festival, International Piano Series Fribourg, Istanbul Recitalleri, Moscow's House of Music, Welsh debut at the Royal Welsh College of Music and Drama and Scottish recital debut at the East Neuk Festival for which The Scotsman presides Yeol Eum for having found that vital emotional connection with the music and physically embracing its raw energy and dynamic extremes with ferocious virtuosity. In the 19/20 season and beyond Yeol Eum makes recital debuts in Luzerne's KKLSaal, Bern's Paul Klee Centre, Porto's Casa da Música, Belgrade's Kolarac Concert Hall and at the Tallin Piano Festival.
An avid chamber musician, in 2018 Yeol Eum was appointed Artistic Director of Music in PyeongChang, the biggest music festival in her native Korea. Yeol Eum is responsible for programming both summer and winter festivals at the Olympic site in PyeongChang. Further chamber highlights in 2020 include appearances at Philharmonie Cologne for collaborations with the principle players from WDR Symphony Orchestra Cologne (Beethoven’s Piano Concerto No. 4 arranged for Piano and String Quintet) and with Quatuor Modigliani. © 2017 IMG Artists; Please do not make alterations to this biography without contacting IMG Artists. Yeol Eum’s new releases include two DECCA albums: recital CD Modern Times- featuring solo piano music written between 1910-1920 by Berg, Prokofiev, Stravinsky and Ravel, and Schumann and Brahms CD with violinist Clara-Jumi Kang. Previous albums include debut CD of complete Chopin Etudes (2004); Chopin Nocturnes for Piano and Strings (2008); prize-winning Cliburn Competition live performance (2009) and a multi-channel SACD O’ New World Music (2012).
Yeol Eum is Honorary Ambassador of the Seoul Arts Center and her home city of Wonju. A double Second Prize winner at the Tchaikovsky International Piano Competition in 2011 and at the 13th Van Cliburn International Piano Competition in 2009, Yeol Eum Son was a student of Arie Vardi at the Hochschule für Musik Theater und Medien Hannover in Germany, where she now lives. She holds a degree from the Korean National University of Arts.
Bandoneon | Italy
Mario Stefano Pietrodarchi was born in Atessa on December 26th 1980. He began studying the accordion at the age of nine before switching to the bandoneon later. From 1993 to 2001, he studied at the F. Fenaroli Civic Music school in Lanciano with M° C. Calista and with M° C. Chiacchiaretta. In 2007, he graduated with honours from Santa Cecilia Conservatory of Music in Rome.
In 2006, he resided at the Montreal Jazz Festival “I colori del mare” with Gabriele Mirabassi and Pietro Tonolo a project of the EGEA record company.
On 25th May 2009, he played at the Colosseo (Rome) with M° Andrea Bocelli, Angela Gheorghiu, Andrea Griminelli and the Abruzzo Symphony Orchestra. The event “L’alba separa dalla luce l’ombra” was in aid of the earthquake victims of Abruzzo. It was exclusively broadcast worldwide on RAI 1 and RAI SAT.
On December 25th 2010, he performed with the Orchestra Giovanile Italiana in Concerto per la Vita e per la Pace (Concert for Life and Peace), worldwide broadcast by RAI in Bethlehem.
On June 1st 2011, he performed at the Arena of Verona together with Erwin Schrott during the festivities for the 150th anniversary of the Italian unification. The show was broadcast live by Rai 1.
Together with Erwin Schrott and Anna Netrebeko, he performed in the most important cities in Germany, England and Denmark in 2012. In the same year, he recorded the DVD "Live in Portofino" on a guest appearance with Andrea Bocelli.
In 2013, he performed on a guest appearance with Andrea Bocelli, Riccardo Cocciante, Pino Daniele and Simona Molinari at the event "Teatro del Silenzio". On February 22 2014, he performed at the Ulker Sports Arena in Istanbul together with Andrea Bocelli.
In 2018 recorded “Tango Seasons” for Sony Records, alongside Andrés Gabetta leading the fantastic baroque ensemble Cappella Gabetta.
Apart from frequently performing in Italy, he has been giving concerts in England, France, Belgium, Denmark, Croatia, Serbia, Germany, the U.S.A., Poland, Portugal, Finland, Switzerland, Hungary, Canada, Armenia, Russia, Israel, Bosnia Herzegovina, Bulgaria, Turkia, Libano, Belarus and China.
Piano | Belgium
A pianist of exceptional technique, emotional depth, and sophistication, Denis Kozhukhin has gained significant recognition through his powerful performances, establishing himself as one of the most accomplished musicians of his generation.
Highlights of the last two seasons include performances with the San Francisco Symphony, Orchestre Symphonique de Montréal, Frankfurt’s hr-Sinfonieorchester, BBC Symphony, Orchestre National de Belgique, Danish National Symphony, Philharmonia Orchestra, Royal Stockholm Philharmonic, and WDR Sinfonieorchester. He has worked with conductors such as Rafael Payare, Alain Altintoglu, Cristian Macelaru, Hannu Lintu, Dalia Stasevska, and Santtu-Matias Rouvali, among others.
Kozhukhin’s 2023/24 season includes returns to the Oslo Philharmonic, NHK Symphony, Washington’s National Symphony, and Orquestra Simfónica de Barcelona, alongside debuts with the Dallas Symphony, Düsseldorfer Symphoniker, and Melbourne Symphony. Denis will also perform recitals and chamber music at the Pierre Boulez Saal, Elbphilharmonie, Wigmore Hall, Vienna’s Konzerthaus, and Zurich’s Tonhalle. Since winning the Queen Elizabeth Competition in 2010, Denis has performed with the London Symphony, Royal Concertgebouw Orchestra, Rotterdam Philharmonic, and Staatskapelle Berlin. A sought-after recitalist and chamber musician, Kozhukhin regularly appears at prominent music festivals including Verbier, Gstaad, Grafenegg, Dresden, Intonations Festival, Tsinandali, Klavier Ruhr, Lanaudiere, and Jerusalem Music Festivals, as well as the BBC Proms.
As a Pentatone recording artist, his discography spans works by Haydn, Mendelssohn, Tchaikovsky, Grieg, Ravel, and Gershwin.
A graduate of the Reina Sofía School of Music in Madrid under the guidance of Dmitri Bashkirov and Claudio Martinez-Mehner, Kozhukhin further honed his skills at the Piano Academy at Lake Como, where he received advice from notable pianists such as Fou Ts'ong, Stanislav Ioudenitch, Peter Frankl, Boris Berman, Charles Rosen, Andreas Staier, and Kirill Gerstein in Stuttgart.
Cello | Germany
Written music is potential energy that a performer must unleash. Audiences can tell if a musician really feels that energy, or if their expression is second-hand. When Julian plays, he is sharing something fragile and alive.
“As an interpreter, I’ve started trusting my inner life more and letting the audience in,” he says. “It’s a kind of vulnerability that makes you stronger.” His first child was born at the end of 2018. Since then, his conviction has grown, his sense for metaphor expanded.
He knows that making music for an audience occasionally involves tipping the scales too far one way or another. But he is aware of his responsibility toward what is often called the “intentions of the composer.” He dives deep into scores, investigating the organic connections that give a work its unity. “If you know one room in an apartment, but not that the apartment has seven other rooms, you won’t even understand the room you’re in,” he says. When Julian plays, the music is in safe hands. You listen for his discoveries; what the music, through him, is trying to tell you.
Every life is a series of experiences, encounters, memories, places. Sometimes it’s possible to understand the contours of a musician’s ability through a list of these moments. Julian’s solo career was launched after he won the prestigious ARD Musikwettbewerb in 2010. Since then, he has soloed with the Gewandhausorchester Leipzig, the Symphonieorchester des Bayerischen Rundfunks, the Royal Philharmonic Orchestra, the Orchestre de Paris, the Rotterdam Philharmonic Orchestra and the St. Petersburg Philharmonic. He’s worked with the conductors Christoph Eschenbach, Sir Roger Norrington, Valery Gergiev, Jakub Hrůša, Mario Venzago, Fabien Gabel, John Storgårds, Lahav Shani, Antony Hermus, Christian Zacharias and Michael Sanderling. His chamber music partners include Janine Jansen, Christian Tetzlaff, Karen Gomyo, Antje Weithaas, Renaud Capuçon, Veronika Eberle, Vilde Frang, Antoine Tamestit, Lars Vogt, Elisabeth Leonskaja, Paul Rivinius, Denis Kozhukhin, the Modigliani, Armida and Ébène quartets.
For Julian, these experiences and encounters are the result of organic growth, not external pressure. It’s a development that tends to happen when a musician of his ability goes through life with an open mind.
His playing is effortless, unhindered by technical boundaries. He derives energy from appearing not to try. It’s a quality that many look for and few find. He sees his talent and his musical upbringing as a gift. His mentors are responsible for the rest.
“My very first teacher considered lightness and simplicity to be at the core of cello playing,” Julian says. “Listen to yourself, plan what you’re doing, get it right the first time. I owe everything to these insights.” He studied with Ulrich Voss, Gustav Rivinius, Boris Pergamenschikow, Heinrich Schiff and Antje Weithaas. Now he is a teacher too, at the Hochschule für Musik und Theater in Munich. In the last season Julian appered amongst others with the Rundfunk-Sinfonieorchester Berlin, Dortmund Philharmonics, Saarländisches Staatsorchester led by Sébastien Rouland, as well as the Residentie Orkest under the baton of Nicholas Collon and the Orchestra della Toscana in Florence. Furthermore, he played the world premiere of Karola Obermüller's cello concerto in with the Philharmonic Orchestra Heidelberg under Elias Grandy.
Along with this, chamber music remains for him a source of inspiration and a hotbed for communication: next to a concert with Josef Špaček at Rudolfinum Prague, engagements with long time partners as Antje Weithaas, Tobias Feldmann, Lise Berthaud und William Youn, and Kiveli Dörken are planned, amongst other venues at Concertgebouw Amsterdam, Schauspielhaus Bochum, in Vevey and Schwetzingen. In addition, trio concerts with Sharon Kam and Enrico Pace, as well as concerts with Quatuor Modigliani at Philharmonie Köln and in Fürth are on his agenda.
Violin | Sweden
Violinist Daniel Lozakovich’s majestic music-making has left critics and audiences spellbound. “Perfect mastery. An exceptional talent,” observed *Le Figaro* after a performance at the Verbier Festival, while the *Boston Globe* praised the “poise, tonal purity, and technique to spare” during his debut with the Boston Symphony Orchestra and Andris Nelsons at the Tanglewood Festival in July 2017.
Daniel was born in Stockholm in 2001 and began playing the violin when he was almost seven. He made his solo debut two years later with the Moscow Virtuosi Chamber Orchestra and Vladimir Spivakov in Moscow.
At the age of 15, Lozakovich signed an exclusive recording contract with Deutsche Grammophon, and in 2018 released his debut album of Bach’s two violin concertos in collaboration with the Kammerorchester des Symphonieorchesters des Bayerischen Rundfunks, along with the solo *Partita No. 2*. The album reached number 1 in the all-music category of the French Amazon charts and topped the classical album charts in Germany.
“None but the Lonely Heart,” Lozakovich’s second album, was released in 2019. Dedicated to Tchaikovsky, it includes the Violin Concerto, recorded live with the National Philharmonic of Russia and Vladimir Spivakov. *Grammophone* magazine named this recording as the “Top choice” spanning 70 years of the best recordings of the Tchaikovsky Violin Concerto.
Lozakovich’s third album, released in 2020, focuses on the Beethoven Violin Concerto, recorded live with the Münchner Philharmoniker under Valery Gergiev. The project was released both as an audio album and e-video during the 250th anniversary of Beethoven’s birth, a project significant to Lozakovich, who considers the concerto one of the greatest ever written.
On *Spirits*, his latest 4th Deutsche Grammophon recording, Lozakovich celebrates some of his forebears in the hope of passing on their style and repertoire to younger generations. Partnered by pianist Stanislav Soloviev, Lozakovich performs favorite encores by Elgar, Debussy, Falla, Gluck, Brahms, and Kreisler.
Lozakovich studied at the Hochschule für Musik Karlsruhe with Professor Josef Rissin from 2012 and graduated with a Master’s degree in 2021.
He plays the “ex-Sancy” 1713 Stradivari, generously loaned by LVMH / Moët Hennessy Louis Vuitton.
Violin | USA
Gil Shaham is one of the foremost violinists of our time; his flawless technique combined with his inimitable warmth and generosity of spirit has solidified his renown as an American master. The Grammy Award-winner, also named Musical America’s “Instrumentalist of the Year,” is sought after throughout the world for concerto appearances with leading orchestras and conductors, and regularly gives recitals and appears with ensembles on the world’s great concert stages and at the most prestigious festivals.
Highlights of recent years include the acclaimed recording and performances of J.S. Bach’s complete sonatas and partitas for solo violin. In the coming seasons in addition to championing these solo works he will join his long time duo partner pianist, Akira Eguchi in recitals throughout North America, Europe, and Asia.
Appearances with orchestra regularly include the Berlin Philharmonic, Boston Symphony, Chicago Symphony, Israel Philharmonic, Los Angeles Philharmonic, New York Philharmonic, Orchestre de Paris, and San Francisco Symphony as well as multi-year residencies with the Orchestras of Montreal, Stuttgart and Singapore. With orchestra, Mr. Shaham continues his exploration of “Violin Concertos of the 1930s,” including the works of Barber, Bartok, Berg, Korngold, Prokofiev, among many others.
Mr. Shaham has more than two dozen concerto and solo CDs to his name, earning multiple Grammys, a Grand Prix du Disque, Diapason d’Or, and Gramophone Editor’s Choice. Many of these recordings appear on Canary Classics, the label he founded in 2004. His CDs include 1930s Violin Concertos, Virtuoso Violin Works, Elgar’s Violin Concerto, Hebrew Melodies, The Butterfly Lovers and many more. His most recent recording in the series 1930s Violin Concertos Vol. 2, including Prokofiev’s Violin Concerto and Bartok’s Violin Concerto No. 2, was nominated for a Grammy Award. He will release a new recording of Beethoven and Brahms Concertos with The Knights in 2020.
Mr. Shaham was born in Champaign-Urbana, Illinois, in 1971. He moved with his parents to Israel, where he began violin studies with Samuel Bernstein of the Rubin Academy of Music at the age of 7, receiving annual scholarships from the America-Israel Cultural Foundation. In 1981, he made debuts with the Jerusalem Symphony and the Israel Philharmonic, and the following year, took the first prize in Israel’s Claremont Competition. He then became a scholarship student at Juilliard, and also studied at Columbia University.
Gil Shaham was awarded an Avery Fisher Career Grant in 1990, and in 2008 he received the coveted Avery Fisher Prize. In 2012, he was named “Instrumentalist of the Year” by Musical America. He plays the 1699 “Countess Polignac” Stradivarius and performs on an Antonio Stradivari violin, Cremona c1719, with the assistance of Rare Violins In Consortium, Artists and Benefactors Collaborative. He lives in New York City with his wife, violinist Adele Anthony, and their three children.
Tenor | Malta
“Only one lyric tenor on the scene today has the honeyed tone and ingratiating style to make comparisons to Pavarotti and Gigli seem serious, and it is Calleja, the man from Malta, who … is now maturing into an artist of the first rank.”
– New Yorker
Blessed with a golden-age voice that routinely inspires comparisons to “legendary singers from earlier eras: Jussi Björling, Beniamino Gigli, even Enrico Caruso” (Associated Press), Maltese-born Joseph Calleja has quickly become one of the most acclaimed and sought-after tenors today. His expansive discography and frequent appearances on the world’s leading opera and concert stages prompted NPR to hail him as “arguably today’s finest lyric tenor,” and led to his being voted Gramophone magazine’s 2012 Artist of the Year. A Grammy-nominated recording artist for Decca Classics, he has released five solo albums for the label.
Calleja was only 19 when he made his operatic debut as Macduff in Verdi’s Macbeth at the Astra Theatre in Malta, shortly before winning an award in the Hans Gabor Belvedere Competition that launched his international career. He went on to win the 1998 Caruso Competition in Milan and was a prize winner in Plácido Domingo’s Operalia in 1999, the year of his U.S. debut at the Spoleto Festival. Since then Calleja has gone on to appear with the world’s great opera companies.
Starting the 20-21 season Joseph Calleja returns to the Deutsche Oper Berlin as Enzo Grimaldo in performances of La Gioconda. He stars in the Metropolitan Opera’s new series of Met Stars Live in Concert together with Diana Damrau, performing at the at the Royal Palace of Caserta, Italy. The program features popular arias and duets by Verdi, Bizet, Rossini. Joseph Calleja ends the season at the Teatro Real Madrid with his signature role of Mario Cavaradossi in performances of Tosca.
A sought-after concert soloist, Joseph Calleja can be heard on the best stages worldwide with his very broad repertoire. Opera Naples’ Festival under the Stars takes the tenor to Florida before he presents his well-loved Lanza programme with the WDR Radio Orchestra at the Konzerthaus Dortmund. Further, he stars in the renowned Open-Air Gala in from of the Hermitage in St. Petersburg. Joseph Calleja will end the season with a concert dedicated to Piazzolla and Caruso at the Festival della Valle d'Itria in Martina Franca, Italy.
Highlights of the 19-20 season include a return to the Chicago Lyric Opera as Rodolfo in Verdi’s Luisa Miller and to the Vienna State Opera for performances of Tosca with Bryn Terfel and Evgenia Muraveva. Calleja gave his house debut at the Semperoper Dresden in performances of La bohème before singing Tosca at the Munich State Opera.
On the concert stage, Joseph Calleja had solo concerts at the renowned festival in Peralada, Spain, followed opera galas in Puerto Rico and at the Baden-Baden festival hall. He gave his debut in Moscow’s new Zaryadye Concert Hall and sang in Prague’s Smetana Hall. In Dublin, he joined the RTÉ National Symphony Orchestra and Claudia Boyle for a gala concert, and in
Valencia with the Orquésta de Valencia. He gave gala performances in Singapore, as well as at the London Palladium.
Joseph Calleja's 2018-19 season was highlighted by his role debut as Rodolfo in Verdi’s Luisa Miller at the Hamburg State Opera. He sang one of his signature roles, Mario Caravadossi (Tosca), at the Metropolitan Opera in New York and at the renowned Festival in Aix-en-Provence. Further, he starred as Pollione (Norma) and Don José (Carmen) at the Bavarian State Opera, as Edgardo (Lucia di Lammermoor) and Don José at the Deutsche Oper Berlin, as well as Duca (Rigoletto) at the Vienna State Opera. Likewise, at the Vienna State Opera, Calleja had his recital debut on the grand stage, followed by his recital debut at the Naples Opera in Florida.
Highlights from recent operatic seasons include the title characters in new productions of Faust and Les Contes d’Hoffmann at the Metropolitan Opera; Alfredo in La traviata opposite Renée Fleming, Adorno in Simone Boccanegra alongside Plácido Domingo, and another turn in the title role of Faust at Covent Garden; new productions of La bohème, opposite Anna Netrebko, and La traviata at the Lyric Opera of Chicago; Maria Stuarda alongside Joyce DiDonato in concerts with the Deutsche Oper Berlin; and a new staging of Rigoletto at the Bavarian State Opera. He made his role debut as Riccardo in a new treatment of Verdi’s Un ballo in maschera at the Royal Opera House Covent Garden in London, as Don José in Carmen at Oper Frankfurt in a staging of Barrie Kosky, as Cavaradossi in Tosca at Grange Park Opera and portrayed Ruggero in Rolando Villazón’s staging of Puccini’s La rondine at Deutsche Oper Berlin.
Calleja appears extensively in concert throughout the world, singing with leading orchestras at summer festivals, including Salzburg, and in outdoor concerts in front of tens of thousands of people in Malta, Paris, and Munich. He was the featured soloist at the 2011 Nobel Prize Concert in Stockholm, was selected by the Maltese president to perform a private concert for Queen Elizabeth II and Prince Philip, and toured Germany with soprano Anna Netrebko. After co-headlining 2012’s Last Night of the BBC Proms, Calleja returned to the London festival in 2013 for a gala performance at the Royal Albert Hall and an open-air concert marking the Last Night of the Proms in Hyde Park. As a recitalist, he has performed in Japan and throughout Europe.
As an exclusive Decca Classics recording artist since 2003, the tenor boasts an extensive discography that includes complete operas and concert repertoire, as well as five solo albums: The Golden Voice, Tenor Arias, The Maltese Tenor, Be My Love: A Tribute to Mario Lanza, and Amore. His videography enjoys similar success, and it was his portrayal of Alfredo in the Royal Opera House’s DVD/Blu-ray release of La traviata, in which he co-stars with Renée Fleming and Thomas Hampson, that earned Calleja his first Grammy nomination. His rendition of the Verdi aria “La donna è mobile” is featured on the soundtrack of No Reservations, a 2007 motion picture starring Catherine Zeta-Jones and Aaron Eckhart. He made his Hollywood debut in 2014’s The Immigrant, in which he portrays the legendary tenor Enrico Caruso in a cast with Marion Cotillard, Joaquin Phoenix, and Jeremy Renner.
Calleja’s VERDI album was released by Decca Classics in February 2018 and features a lovely selection of dramatic tenor repertoire by Verdi, including arias from Aida, Don Carlo, La forza del destino and Otello, to name but a few. It was highly acclaimed by the press:
“Joseph Calleja with his ‘Verdi’ album is in outstanding form aptly displaying his progress as one of the finest tenors on the stage today.” (musicweb-international)
“Any doubts about the most winning lyric “Italian” tenor since Pavarotti tackling this heavy Verdi repertoire are largely dispelled by the vitality of his sunny sound and the clarity of his diction.” (The Sunday Times)
“Stylistically and temperamentally, he seems completely at home in this repertoire, never afraid to add faintly old-school expressive effects, though nothing ever seems contrived or histrionic.” (PRESTO Classical)
Calleja has been profiled in New York’s Wall Street Journal and London’s Times, among other newspapers, and has graced covers of magazines such as Opera News. An increasingly frequent face on television, he has appeared on such programs as CNN’s Business Traveller, BBC Breakfast, and the Andrew Marr Show, and been featured in numerous internationally televised concerts. In 2013, he made his U.S. network television debut performing in a Kennedy Center Honors tribute to preeminent American soprano Martina Arroyo on CBS.
Born in Malta in 1978, Joseph Calleja began singing at the age of 16, first in his church choir and then in formal training with Maltese tenor Paul Asciak. One of his native land’s biggest celebrities, Calleja was selected to serve as Malta’s first cultural ambassador in 2012, and he was named a brand ambassador for Air Malta. Calleja recently teamed up with Malta’s Bank of Valletta to form the BOV Joseph Calleja Foundation, which will serve to help children and families in need. Calleja is the recipient of the 2014 International Opera Awards’ Readers’ Award.
Violin | SWITZERLAND
One of the most successful musicians of his generation, violinist Andrey Baranov enjoys an exclusive career as an outstanding soloist and a sought after ensemble partner, performing on main stages and festivals in Europe, North and South America, Africa, and Asia.
He is the winner of the Queen Elisabeth Violin Competition of 2012, the Benjamin Britten and Henri Marteau International Violin Competitions, and a prizewinner of more than twenty other international competitions, including Indianapolis, Seoul, Sendai, Liana Issakadze, David Oistrakh, and the Moscow Paganini Competition.
Since making his debut in 2005 at the Saint-Petersburg Philharmonic Grand Hall under Vasily Petrenko and Saint-Petersburg Philharmonic Orchestra, Mr. Baranov went on to performing with Vienna Symphony Orchestra, Montreal Symphony Orchesra, Luxembourg Philharmonic, Mahler Chamber Orchestra, Brussels Philharmonic, National Orchestra of Belgium, MusicAeterna Orchestra, Mariinsky Theatre Orchestra, Sendai Philharmonic, Royal Phiharmonic London, Camerata Salzburg under the baton of conductors Teodor Currentzis, Vladimir Fedoseev, Michel Tabachnik, Walter Weller, Emmanuel Krivine, Yuri Temirkanov, Kent Nagano, Thomas Sanderling, Michael Sanderling and Alexander Vedernikov, among others.
Andrey is the first violinist and founding member of David Oistrakh String Quartet, an ensemble established in 2012, which rapidly became one of the leading string quartets currently performing. His other chamber music partners include, among others, Martha Argerich, Julian Rachlin, Boris Andrianov, Pierre Amoyal, Eliso Virsaladze, Liana Isakadze, Alexander Buzlov, Daniel Austrich, Andrey Gugnin and Kirill Gerstein.
His album „The Golden Violin“, released on the MUSO Label and featuring romantic violin pieces, has won the prestigious „Diapason d’Or“ award in 2018.
Aged only 23 Andrey was appointed a teaching assistant to Pierre Amoyal at the Conservatoire de Lausanne and has since been in demand as a teacher at many international masterclasses. He has been invited to institutions in Bangkok, Chicago, Riga, Vilnius, Stockholm, Moscow, Manchester and other musical capitals. Since 2020 Mr. Baranov is Professor in “Academia del Ridotto” in Italy and guest Professor of “Piccoli Virtuosi International Music Boarding School” in Switzerland.
Born in St.Petersburg in 1986 into a family of musicians, Andrey began playing the violin at the age of five. He studied at the Rimsky-Korsakov Conservatory in Saint-Petersburg and Consevatoire de Lausanne. His teachers were Lev Ivaschenko, Vladimir Ovcharek and Pierre Amoyal.
Piano | Turkey
Turkish pianist and composer Hüseyin Sermet's thirty-five-year career reflects his wide-range musical interests and intensely personal vision encompassing a large eclectic repertoire and pianistic versatility.
Sermet has performed around the world with important orchestras including London Philharmonic and Royal Philharmonic, Orchestre de Paris, Symphonieorchester des Bayerischen Rundfunks, Luzerner Sinfonieorchester, Bamberger Symphoniker, and NHK, Shanghai, Tokyo and Detroit symphony orchestras; with renowed conductors such as Vladimir Jurowski, Semyon Bychkov, David Robertson, Lawrence Foster, Pablo Heras-Casado, Jonathan Nott, James Gaffigan and Hans Graf, and instrumentalists Maria João Pires, Gautier and Renaud Capuçon.
Sermet has given solo recitals at major series and venues worldwide, including London’s International Piano Series, Schleswig-Holstein Musik Festival, Paris' Cité de la Musique, Munich’s Cuvilliés-Theater, Lisbon's Dias da Musica, Copenhagen's Tivoli and the Oxford and Lille Piano festivals. Last season he made his recital debut at the National Centre for the Performing Arts in Beijing.
Equally active as a composer, Sermet's first major composition Réminiscènce 1 was premiered at the Empéri Festival in 1997 and broadcast live by France Musique. A commission from Tokyo Symphony Orchestra, Dream and Nightmare, was premiered in 2004, and in 2006 there followed Sculptures 1, commissioned by İş Bank. Following these succeseses, Réminiscènces II received its premiere in Istanbul in May 2012.
A devoted mentor of young talent and highly regarded for his many appearances in Japan, Sermet was filmed by NHK TV for a series of 15 televised masterclasses with young pianists broadcast throughout Japan.
Many of Hüseyin Sermet's numerous recordings for Naïve, harmonia mundi and Erato have won major international prizes, including his disc of Ravel's solo piano works, three discs devoted to Alkan (all winning a Diapason d’Or de l'Année), a selection of Schubert’s works for four hands with Maria João Pires and a recording of Liszt's Piano Sonata and late works.
Hüseyin Sermet was born in Istanbul in 1955 and began his education at the Ankara State Conservatoire. He continued his studies at the Paris Conservatoire and later at the Ecole Normale de Musique de Paris Alfred Cortot with Thierry de Brunhoff, Nadia Boulanger and Maria Curcio. He also studied composition with Olivier Messiaen and received the Lili Boulanger Award for his early string quartet.
Oboe | Germany
When the subject turns to oboists, his name is now de rigueur: Albrecht Mayer. His playing has both listeners and critics raving, with expressions like “divine spark” or the “miraculous oboe” that the German player has elevated to become an “instrument of seduction”. He studied with Gerhard Scheuer, Georg Meerwein, Maurice Bourgue and Ingo Goritzki and began his professional career in 1990 as principal oboist of the Bamberg Symphony Orchestra. Since 1992 he has occupied the same position with the Berlin Phiharmonic. It’s no wonder that Albrecht Mayer ranks today among the most sought-after oboists and has appeared as a soloist with Claudio Abbado, Sir Simon Rattle and Nikolaus Harnoncourt. Along with his solo projects, Mayer considers it important to find time for chamber music. He has no dearth of requests and opportunities, and performs regularly with partners such as the pianist Hélène Grimaud, Leif Ove Andsnes and the bass-baritone Thomas Quasthoff, with whom he recorded a CD of Bach cantatas.
In his search for new repertoire for his instrument, he is constantly fascinated by the idea of lending his voice (that of the oboe) to “foreign” works — pieces written for other instruments or for singers. Having sung as a child for many years in the Bamberg Cathedral Choir, he is especially attracted to the human voice, as the most “natural” of all instruments. He’s already provided convincing proof of that claim in the recording Lieder ohne Worte — Bach transcriptions for oboe and orchestra, in which the Baroque style and bel canto are delightfully combined. The CD immediately entered the German classical charts at number 2. His CD In search of Mozart recorded with Claudio Abbado and the Mahler Chamber Orchestra made it to the top of the German classical charts, the recording New Seasons presents music by George Frederic Handel in a stunning new light. In August 2008, the oboist’s album In Venice was released by Decca, featuring Baroque oboe concertos from Venetian composers. Another CD with works by J.S. Bach has been released by Decca in autumn 2009, followed by “Bonjour Paris” in autumn 2010 and his CD “Songs of the Reed” in January 2012, both also released by Decca. His album “Let it snow” with the King’s Singers has been released by Deutsche Grammophon in autumn 2013. His albums “Lost and Found”, “Bach – concertos and transcriptions”, “Vocalise” and “Tesori d’Italia” for Deutsche Grammophon came out in spring/autumn 2015, winter 2016 and autumn 2017. His latest, extremely successful Mozart album was published in 2021.
Albrecht Mayer has been elected “Instrumentalist of the Year“ and was rewarded with an ECHO Klassik Prize by the German Phono-Akademie in 2004, 2008 and 2010; in December 2006 Albrecht Mayer was awarded the E.T.A.-Hoffmann Prize by his German hometown Bamberg. Last year he entered the Gramophone „Hall of Fame“ and received the Kulturpreis Bayern.
Albrecht Mayer plays an oboe and oboe d'amore by Mönnig.
PIANO | ITALY
Alessandro Taverna regularly performs in major international musical institutions, including La Scala Theater in Milan, San Carlo Theater in Naples, La Fenice Theater in Venice, Musikverein in Vienna, Royal Festival Hall and Wigmore Hall in London, Gasteig in Munich, Konzerthaus in Berlin, Philharmonic Hall in Liverpool, Bridgewater Hall in Manchester, DR Koncerthuset in Copenhagen, Lincoln Center in New York, Meyerson Symphony Center in Dallas, Metropolitan Theater in Tokyo.
He has worked with worldwide famous conductors, such as Lorin Maazel, Riccardo Chailly, Fabio Luisi, Myung-Whun Chung, Daniel Harding, Michele Mariotti, Thierry Fischer, Daniele Rustioni, Carlo Boccadoro, Joshua Weilerstein, Pier Carlo Orizio, Sergey Smbatyan, and he has collaborated with prestigious orchestras including the Filarmonica della Scala, the Münchner Philharmoniker, the Royal Philharmonic Orchestra, the Minnesota Orchestra, RAI National Symphony Orchestra, Kremerata Baltica, Danish National Symphony Orchestra, Bucharest Philharmonic, Malta Philharmonic Orchestra, RTE National Symphony of Ireland, Dallas Symphony Orchestra, NHK Symphony Orchestra.
He gained his international recognition in prestigious international piano competitions such as the Piano-e-Competition in the United States, Leeds, London, Hamamatsu, Busoni Prize of Bolzano. In 2012 he received the "President of the Republic Award" from Italian President Giorgio Napolitano, for artistic merits and for his international career.
He graduated at the age of seventeen at the Pollini Conservatory in Padua, studying with Laura Candiago Ferrari at the S. Cecilia Music Foundation in Portogruaro; he continued his education with Franco Scala, Leonid Margarius and Louis Lortie at the Imola International Piano Academy. He also attended the Accademia S. Cecilia in Rome with Sergio Perticaroli, the Hochschule für Musik in Hannover with Arie Vardi and the Lake Como Piano Academy with William Grant Naboré, Fou Ts'ong and Dmitri Bashkirov.
He is often invited as jury member in important international piano competitions and to held masterclasses and seminaries for prestigious institutions (Bowdoin Festival in Brunswick - USA, Music in Pyeongchang Festival in Korea, Cork School of Music in Ireland, etc...). He collaborates with RAI Italian National Radio and Television; he has recorded albums for the Sony, Somm, Musicom, RaiTrade, Tzadik labels.
Alessandro Taverna is Professor of Piano at Imola International Piano Academy, at Padua Conservatory of Music and the International School for Advanced Music Studies in Portogruaro.
Since April 2021 he has been artistic director of the Portogruaro International Music Festival.
Soprano | Italy
In Europe she is called "the younger sister of Cecilia Bartoli", an outstanding Italian coloratura mezzo-soprano.
Nowadays, Anna performs the leading roles in almost all opera calendar of the repertoire of the Bolshoi Theatre.
When she was a student of the 4th year of the Gnesin School, Anna, after a serious casting, which involved more than 100 sopranos, was invited by the Bolshoi Theatre Directorate, led by artistic director, conductor Alexander Vedernikov, to take part in the production of Verdi's "Falstaff". Despite her young age, she played one of the main roles-the party of Nannette.
Thanks to her extraordinary talent and tremendous energy, Anna was able to win not only the love of the audience, but also the respect of eminent colleagues.
At that time, Anna was the youngest soloist of the Bolshoi Opera Company.
Her highest professionalism allowed Anna to perform simultaneously on the stage of the Bolshoi Theatre, performing at once two main parts in Mozart's opera The Magic Flute, and participate in one of the most prestigious competitions in the world of young singers "Neue Stimmen", which took place in Germany, where she became the winner.Following this, Anna became a laureate of the "Triumph" award for achievements in the field of arts. Behind the shoulders of this young successful singer are calendar at the most famous concert venues of the World. Salle Pleyel in Paris, Megaron Moussikis in Athens, Musikverein in Vienna, Seoul Arts Center in Seoul, Lincoln Center in New York, National Palace of Culture in Sofia.
Her debut on the stage of the Vienna Opera House as Norina in Donizetti's Don Pasquale was not only a huge success for the public. Anna was also warmly received by the whimsical Austrian critics who noted her bright talent as an actress and an incredibly beautiful voice.
Anna's acting talent is highly appreciated by Russian critics: she was thrice nominated for the national award "Golden Mask" in the nomination "Best female role in the opera".
Anna is a welcome guest of the most prestigious European music festivals, such as Festival International de Colmar in France and the Verbier Festival in Switzerland.Anna Aglatova is a leading soloist of the Bolshoi Theatre, one of the most popular Russian singers in the world.
After her debut on the stage of Theatre Champs Elysees in Paris in Europe they bagan to call her "the younger sister of Cecilia Bartoli", an outstanding Italian coloratura mezzo-soprano.
Nowadays, Anna performs the leading roles in almost all opera calendar of the repertoire of the Bolshoi Theatre.
Piano | France
Laureate of numerous international competitions, notably the second prize-winner at the 2013 Queen Elisabeth International Piano Competition at the age of twenty and the youngest prize-winner of the Bonn International Beethoven Competition, Rémi Geniet is fast establishing himself as one of the most prominent pianists of his generation. In 2015 he became a prize-winner of the Young Concert Artists in New York and in 2020 was awarded a career grant by the prestigious New York Salon de Virtuosi.
Rémi Geniet performs internationally with orchestras including the St. Petersburg Philharmonic, State Symphony Orchestra Novaya Rossiya, Ural Philharmonic Orchestra, Orchestre de la Suisse Romande, Barcelona Symphony, Luxembourg Philharmonic, Belgium National Orchestra, Orchestre national de Lille, Orchestre d’Auvergne and Orchestre National d'Île-de-France, Kitchener Waterloo Symphony and the Saint Louis Symphony Orchestra under conductors such as Marin Alsop, Emmanuel Krivine, Edo de Waart, Thomas Sanderling, Alan Buribayev, Enrique Mazolla, Ernest Martinez-Izquierdo, Jérémie Rhorer, Robert Trevino, David Niemann, Roberto Forés Veses, Okko Kamu, Eduard Topchjan, Adrian Leaper and Pavel Gerstein.
Invited to the most important French series and festivals, Rémi Geniet appears regularly at the Auditorium du Louvre, Piano aux Jacobins, Piano à Lyon, La Roque d’Anthéron International Piano Festival, Festival Radio France Montpellier, La Folle Journée, la Grange de Meslay, Lille Piano(s) Festival and opened both the “L’âme du Piano” series at the historical Salle Gaveau and the “New Generation” series in the inaugural season of the Fondation Louis Vuitton to enormous critical acclaim.
Outside France he performs at Carnegie Hall (Zankel Hall), the Morgan Library, Munich Gasteig, NDR Hanover, Konzerthaus Berlin, Great Hall of the Moscow Conservatory as well as in Vienna, Geneva, Ghent, Brussels, Germany and Poland. Amongst the many prestigious international festivals that invite him are Verbier, Colmar, Mecklenburg-Vorpommern, Duszniki Chopin Piano Festival, Chopin Festival Marienbad, St Petersburg Arts Square International Winter Festival, Euriade Festival in the Netherlands, Casals Festival Puerto Rico, Montreal Bach Festival and Interlaken Classics Festival in Switzerland. In early 2016 he was invited to participate at Les Sommets Musicaux de Gstaad at the invitation of Renaud Capuçon, winning the “Prix André Hoffmann”.
Cello | Armenia
Since winning the Cello First Prize and Gold Medal at the XIV International Tchaikovsky Competition in 2011 at the age of 22, Narek Hakhnazaryan has performed with most major orchestras and in recital and chamber music across the globe at many of the world’s most prestigious festivals. Hakhnazaryan is a compelling artist, a true virtuoso with an innate musicality and an exceptional talent for connecting with his audience. He has been described as “dazzlingly brilliant” (The Strad) and “nothing short of magnificent" (San Francisco Chronicle) and of his LAPO debut, the LA Times said “His command of the instrument is extraordinary”.
Highlights of Hakhnazaryan’s 21/22 season include performances in Madrid with the Orchestra of Santa Cecilia and Pappano, at the Dvorak Prague festival with Netopil, Pisa festival, with the Helsinki Philharmonic and the Residentie Orchestra with Collon in both The Hague and at the Concertgebouw Amsterdam. He will also tour Australia and New Zealand. In 20/21 he made his debut with the Vienna Radio Orchestra and Alsop in the opening concert of their season at the Musikverein, with the Barcelona Symphony Orchestra receiving an immediate re-invitation and was invited for a residency with Finnish Radio Symphony and Lintu, performing two televised concerti and a solo recital. He performed a piano quartet programme with Lugansky, Boriso-Glebsky and Rysanov in Madrid, Vienna and Moscow (other major venues were cancelled) and he was due to perform in recital with Trifonov across the US including at Carnegie Hall.
Hakhnazaryan has enjoyed a truly global career since his rise to fame in 2011 and has played with orchestras such as the Orchestre de Paris, London Symphony, London Philharmonic, Rotterdam Philharmonic, Frankfurt Radio, Berlin Konzerthaus, Royal Stockholm Philharmonic, Chicago Symphony, LA Philharmonic, Pittsburgh Symphony, Sydney Symphony, Seoul Philharmonic, NHK Symphony orchestras, and with conductors such as Gergiev, Koopman, Sokhiev, Robertson, Honeck, Noseda and Netopil. He has toured Spain with the WDR Symphony/Saraste, the US with the Estonian National Symphony Orchestra/Neemi Järvi and Japan with the Czech Philharmonic/Bělohlávek. A former BBC New Generation Artist, he has performed with all the BBC orchestras and made a sensational debut at the BBC Proms. In 2017 the Vienna Konzerthaus invited Hakhnazaryan to be a “Great Talent” and during the two seasons that followed he performed there regularly in recital, chamber music and with orchestra, most notably with the Vienna Symphony and Hrůša.
In Summer 2019 he performed in recital at the Verbier and Rheingau Festivals with Daniil Trifonov, and in the 18/19 season was enjoyed a 4-concert residency at London’s Wigmore Hall. In North America he performs regularly in recital, most recently in New York City, Chicago, San Francisco and Toronto and in past seasons has performed at Carnegie Hall and Jordan Hall (Boston). In 2017 he toured SE Asia, performing the complete Bach cello solo suites in Taipei, Seoul, Tokyo and Kyoto. An eager chamber musician, Hakhnazaryan has performed at most major festivals worldwide and in major halls across Europe with various chamber partners. With the ZEN Trio, he has toured the US and China, has released a recording on Deutsche Grammophon and upcoming plans include concerts in London and Barcelona.
Mentored by the late Rostropovich, Hakhnazaryan received an Artist Diploma from the New England Conservatory of Music in 2011 where he studied with Lawrence Lesser.
Prior to this he studied at the Moscow Conservatory with Alexey Seleznyov and at the Sayat-Nova School of Music in Yerevan with Zareh Sarkisyan. Hakhnazaryan has received scholarships from the Rostropovich Foundation and the New Names Foundation, and his prizes include First Prize in the 2006 Aram Khachaturian International Competition in Armenia and First Place in the 2006 Johansen International Competition for Young String Players. As First Prize winner in the 2008 Young Concert Artists International Auditions, Hakhnazaryan made his debut in Washington, DC and at Carnegie Hall.
Narek Hakhnazaryan was born in Yerevan, Armenia, into a family of musicians: his father is a violinist, his mother a pianist, and he performs regularly with his brother, the conductor Tigran Akhnazarian. In September 2017 he was awarded the title of “Honored Artist of Armenia” by the President of Armenia Serzh Sargsyan. Hakhnazaryan plays the 1707 Joseph Guarneri cello and F.X. Tourte and Benoit Rolland bows.
Cello | ROMANIA
The Gold Medal-winner at the 2015 XV International Tchaikovsky Competition, the phenomenal young cellist Andrei Ioniță was called “one of the most exciting cellists to have emerged for a decade” by the prestigious Times of London. He was a BBC New Generation Artist from 2016-18 and was the Symphoniker Hamburg’s artist-in-residence for the 2019-20 season. A versatile musician focused on giving gripping, deeply felt performances, Andrei has been recognized for his passionate musicianship and technical finesse.
Andrei made his U.S debut in 2017 with recitals in Chicago and Washington, D.C., and gave his New York debut recital in Carnegie Hall’s Zankel Hall. Highlights of the previous two seasons have included concertos with the Münchner Philharmoniker (Valeriy Gergiev), Orchestre symphonique de Montréal (Kent Nagano), BBC Philharmonic (Omer Meir Wellber and John Storgårds), Danish National Symphony (Christian Kluxen), Royal Scottish National Orchestra (Karl-Heinz Steffens), San Diego Symphony (Case Scaglione), Yomiuri Nippon Symphony (Sylvain Cambreling) and BBC National Orchestra of Wales (Ainars Rubikis); he has given recitals at Konzerthaus Berlin, Elbphilharmonie, Zurich Tonhalle, LAC Lugano, and L’Auditori in Barcelona, as well as at the Mecklenburg-Vorpommern, Schleswig-Holstein, Verbier and Martha Argerich Festivals. Andrei’s debut album on Orchid Classics combined a Brett Dean world-premiere with Bach and Kodály, prompting Gramophone to declare him “a cellist of superb skill, musical imagination and a commitment to music of our time.”
Before winning the Tchaikovsky Competition, Andrei won First Prize at the Khachaturian International Competition in June 2013; in September 2014, he won Second Prize and the Special Prize for his interpretation of a commissioned composition at the International ARD Music Competition. In 2014, he received Second Prize at the Grand Prix Emanuel Feuermann in Berlin.
Andrei was born in 1994 in Bucharest and began taking piano lessons at the age of five before receiving his first cello lesson three years later. He studied under Ani-Marie Paladi in Bucharest and under Jens Peter Maintz at the Universität der Künste Berlin. A cholarship recipient of the Deutsche Stiftung Musikleben, Andrei performs on a cello made by Giovanni Battista Rogeri from Brescia in 1671, generously on loan from the foundation.
Violin | Belgium
Belgian violinist of Russian heritage, Mr. Bouchkov is a sophisticated musician of impeccable aplomb and has carved an international career performing with leading orchestras and conductors across Europe. He is one of the most multifaceted and unique artists of the new generation. His orchestral appearances include performances with the Mariinsky Theater Symphony Orchestra and Valery Gergiev, the HR-Sinfonieorchester and Christoph Eschenbach, the Royal Concertgebouw Orchestra and Mariss Jansons, the Munich Philharmonic Orchestra and Philippe Jordan. He has also appeared with the NDR-Sinfonieorchester Hamburg, Hessische Rundfunk Orchestra, Tonhalle Orchester Zürich, the Orchestre National de Belgique, the Orchestra Sinfonica Nazionale RAI in Turin, the Stavanger Symphony Orchestra, the Royal Philharmonic Orchestra of Liège, the Moscow Philharmonic Orchestra, the Orchestra di Milano Giuseppe Verdi, and the Verbier Festival Chamber Orchestra among others, collaborating with conductors such as Stanislav Kochanovsky, Michael Sanderling, Andrey Boreyko, Nikolaj Szeps-Znaider, Dmitry Liss, Christian Arming, Lionel Bringuier, Maxim Vengerov, James Judd, to name but a few.
As an active recitalist, Mr. Bouchkov has performed in many of the world’s most prestigious concert halls such as Wigmore Hall, Carnegie Hall, Amsterdam’s Concertgebouw, Elbphilharmonie Hamburg, Dresden Frauenkirche, Concert Hall of St. Petersburg, Tonhalle Zürich, Munich’s Prinzregententheater, Paris’ Theatre de la Ville, Maison de Radio France, and the Konzerthaus in Berlin among several other venues. A fine chamber musician, he is a regular guest of the Verbier Festival in Switzerland.
Highlights of Mr. Bouchkov’s 2020/2021 season included appearances with Valery Gergiev and the orchestra of the Mariinsky Theater, Philippe Jordan and the Munich Philharmonic, Nikolaj Szeps-Znaider and the Brussels Philharmonic Orchestra, Stanislav Kochanovsky and the Hessische Rundfunk Orchestra, Gábor Takács-Nagy and the Verbier Festival Orchestra, as well as recitals and concerts at the Elbphilharmonie Hamburg, Konzerthaus in Berlin, and the Schubertiade in Hohenems. After a bunch of very successful concerts at the Verbier Festival 2021 in Switzerland, and in Montenegro and Greece, Mr. Bouchkov performed with pianist Mao Fujita in Latvia, at the Riga Jurmala Music Festival, and in Georgia at the Tsinandali Festival, where he played five different programs including performances with the pianist and conductor Lahav Shani and with cellist Mischa Maisky. In Autumn 2021 he was invited to perform at the Concertgebouw in Amsterdam with the Netherlands Philharmonic Orchestra under the baton of Ludovic Morlot, followed immediately after by an invitation to be ‘artist in residence’ of the orchestra in 2022/2023. During the season 2021/2022 he will appear again with the Mariinsky Theater Symphony Orchestra and Valery Gergiev at the Philharmonie de Paris, and with the Orchestra National de Lille, the Belgrade Philharmonic Orchestra, the Orchestre Philharmonique Royal de Liège, Orchestre de l’Opéra National de Lorraine, among others.
Marc Bouchkov’s first recording by Harmonia Mundi is of special significance since it includes two world première pieces by Eugéne Ysaÿe, and two works composed by himself. The album was awarded a Diapason d’Or and a Diapason Découverte as well as nominated for the ICMA 2018 and received tremendous acclaim on Gramophone reviews. The English magazine featured him as “One to Watch “.
Marc Bouchkov’s artistic development has been marked by a string of international awards. He won the first prize at the Montreal International Violin Competition and he is a silver medallist of the Tchaikovsky International Violin Competition. He received the London Music Masters Award, and recently, he has been honored with the music prize of the Kulturstiftung Dortmund.
Marc Bouchkov was born into a family of violinists. He received his first lessons at the age of five from his grandfather. Studies with Claire Bernard and Boris Garlitsky followed. With Mihaela Martin, Marc developed as a Young Soloist in a postgraduate course at the Kronberg Academy. Since October 2018 he is under the musical tutorship of Eduard Wulfson.
Mr. Bouchkov currently serves as professor on the faculty of the Conservatoire Royale de Liège (BE) and the International Music Academy in Liechtenstein. From 2017 to 2019 he taught at the Kronberg Academy (DE) as Artistic Assistant.
Marc Bouchkov plays a Carlo and Michelangelo Bergonzi violin from 1742-44 as a private loan on behalf of Edwulstrad RMIC Ltd.
Clarinet | USA · ARMENIA
Boris Allakhverdyan was appointed Principal Clarinet of the Los Angeles Philharmonic in 2016. He previously served as Principal Clarinet of the Metropolitan Opera Orchestra and the Associate Principal Clarinet of the Kansas City Symphony. Mr. Allakhverdyan is a founding member of the Prima Trio, the Grand Prize and the Gold Medal winner of the prestigious 2007 Fischoff National Chamber Music Competition.
The New York Times called his performance "inspired" and "superlative," and the Los Angeles Times praised his "energetic, vibrant solos."
Boris Allakhverdyan has appeared as a soloist with the Seattle, Tucson, Bakersfield and Springfield Symphony Orchestras as well as orchestras in Russia, Armenia and Kazakhstan. He has participated in the Lucerne Festival Academy in Switzerland, the Mecklenburg-Vorpommen Festival in Germany and the Emilia Romagna Music Festival in Italy. Mr. Allakhverdyan is a winner of Rimsky-Korsakov International Woodwind Competition, Rozanov International Clarinet Competition, Hellam Concerto Competition, the Tuesday Musical and the Oberlin Concerto competitions.
Mr. Allakhverdyan serves on the clarinet faculty at the UCLA Herb Alpert School of Music as well as at California State University at Fullerton. He previously taught at Peabody Institute of Music, Pacific Music Festival in Japan and Interlochen Clarinet Institute in Michigan. He has given master classes at most prestigious schools in North and South Americas, Europe and Asia. As a chamber musician, Boris Allakhverdyan has performed throughout the United States and Europe on such series as Chicago Chamber Music Society, La Jolla Athenaeum, Dumbarton Oaks, the Dayton Art Institute, CityMusic Columbus, Da Camera Society, Fontana Chamber Arts and Cleveland Chamber Music Society.
As a Buffet Group Artist and Vandoren Performing Artist, Mr. Allakhverdyan performs exclusively on Buffet Crampon clarinets and Vandoren reeds.
Violin | Japan
Born in Tokyo, Fumiaki Miura starts his musical education with Tsugio Tokunaga at his hometown Conservatory before moving to Vienna to carry on his studies with Pavel Vernikov and Julian Rachlin. Since aged 16, Fumiaki is mentored and guided by Pinchas Zukerman. In 2009 he was awarded First Prize at the prestigious Joseph Joachim Hannover International Violin Competition, being the youngest winner ever.
His 23/24 season is highlighted by solo performances with the Royal Philharmonic Orchestra of London, ADDA Sinfónica de Alicante, Orchestra del Teatro Goldoni di Livorno, and the Presidential Symphony Orchestra in Turkey. In addition, he will continue his chamber music activity with his partner pianist Itamar Golan in Italy, as well as with Varvara and Jonathan Roozeman, making his debut at the Centro Nacional de Difusión Musical in Madrid.
Miura has performed with orchestras including Los Angeles Philharmonic, NDR Radiophilharmonie Hannover, NDR Sinfonieorchester Hamburg, Radio-Sinfonieorchester Stuttgart des SWR, Sinfonieorchester Basel, Royal Liverpool Philharmonic, Wiener Kammerorchester, Prague Philharmonia, Mariinsky Theater, Tchaikovsky Symphony Orchestra, NAC Orchestra Ottawa, Orchestre de Chambre Lausanne, Warsaw Philharmonic, NHK Symphony Orchestra, Tokio Metropolitan Symphony Orchestra, Utah Symphony, Japan Philarmonic, Orchestre Nationale du Capitole de Toulouse, BBC Royal Scottish National Orchestra, Gothenburg Symphony Orchestra, Düsseldorf Symphoniker, hr-Sinfonieorchester or Hong Kong Sinfonietta, among others. Fumiaki Miura plays under the baton of conductors such as Valery Gergiev, Gustavo Dudamel, Pinchas Zukerman, Krzysztof Penderecki, Vladimir Fedoseyev, Andrés Orozco-Estrada, Kazushi Ono, Hannu Lintu, Jakub Hrůša, Vasily Petrenko, Josep Pons, Patrick Hahn, Santtu-Matias Rouvali, Stéphane Denève, Kristjan Järvi, Tatsuya Shimono, Terry Fisher, and Rafael Payaré.
Regular invitations to international music festivals include the Miyazaki International Music, Ravinia Festival, Julian Rachlin and Friends, Schleswig-Holstein Musik Festival, Musique de Menton, Gyeonggi Chamber Music Festivalnd Menuhin Festival Gstaad. Fumiaki has also performed at the Auditorium du Louvre and Théâtre des Champs-Élysées in Paris, Auditorio in Madrid, Palau de la Música in Barcelona, Elbephiharmonie in Hamburg and at the Wigmore Hall in London.
Miura has collaborated with artists like Yuri Bashmet, Itamar Golan, Sunwook Kim, Mischa Maisky, Maria João Pires, Lawrence Power, Julian Rachlin, Torleif Thedéen, Nobuyuki Tsujii, Jonathan Roozeman, Varvara or Pinchas Zukerman.
Since 2018 he has been artistic director of Suntory Hall ARK Classics and has just completed the 2023 edition together with artists such as Nobuyuki Tsujii, Jonathan Roozeman, Young Soung and Sergei Nakariakov. In the summer of 2023, Fumiaki toured Japan - as soloist and conductor - with ARK Sinfoniettta, an orchestra formed especially for ARK Classics with eminent young artists. Months earlier, he performed Mozart's Symphonie Concertante with the Tokyo Philharmonic Orchestra and Pinchas Zukerman at the baton.
In 2022 Fumiaki was also elected "Forbes 30 under 30 Asia" after being elected "Forbes 30 under 30 Japan" in 2019. In 2024, to celebrate his 15th anniversary after his debut, Fumiaki will perform complete cycles of Beethoven Violin Sonatas with Japanese pianist Kazune Shimizu at Suntory Hall.
His discography includes Prokofiev violin sonatas with the pianist Itamar Golan for Sony Japan, as well as Mendelssohn and Tchaikovsky violin concertos with Deutsches Symphonie-Orchester Berlin and Hannu Lintu released by Avex-Classics label.
Miura performs on the Guarneri del Gesu 1732 violin “Kaston” kindly loaned by Crystco Inc. and its CEO, Mr. Hikaru Shimura.
Conductor | Germany
Born in Munich, Germany, in 1948, Hansjörg Schellenberger began studying the oboe from an early age with the solo oboist of the Regensburg City Theater, going on to win the Jugend musiziert German national competition a mere four years later in 1965. After studying the oboe under Manfred Clement, and conducting under Jan Koetsier, Schellenberger became an oboist in the Cologne Radio Symphony Orchestra on 1 September 1971, and subsequently advanced to the post of its solo oboist in 1975. He concurrently pursued further studies under Helmut Winschermann (oboe) and Martin Stefani (conducting) at the Detmold College of Music. In September 1977 Schellenberger regularly began assisting in the series of the Berlin Philharmonic, which made him its solo oboist three years later.
During these early years Schellenberger had already distinguished himself with numerous awards and activities, including First Prize at the German Music College Competition in 1971, and Second Prize at the ARD Competition in Munich in 1972, among many others.
Schellenberger has performed as a chamber musician and a soloist with many outstanding colleagues, including Herbert von Karajan, Carlo Maria Giulini, Riccardo Muti, Zubin Mehta, and Claudio Abbado. In his role as a conductor, he has appeared with a variety of esteemed ensembles, including the Orquesta de la Comunidad de Madrid, Jerusalem Symphony Orchestra, Orquesta de Valencia, and many other top-quality orchestras. In 2013, Schellenberger was appointed chief conductor of the Okayama Philharmonic Orchestra.
Schellenberger began teaching at the Berlin College of the Arts in 1981, going on to co-found the Ensemble Wien-Berlin in 1983, and found the Berlin Haydn Ensemble in 1991. Since 2000 he has had a small and very select oboe class at the Escuela Superior de Musica Reina Sofia in Madrid, where he also teaches chamber music classes for the wind players of the school’s International Institute for Chamber Music.
The artist has featured in more than 50 CDs with all the major recording firms, and has gone on to found his own label, Campanella Musica, in 1997.
Conductor | Hungary
In the 2019/20 season Gergely Madaras begins his tenure as Music Director of the Orchestre Philharmonique Royal de Liège. As well as curating several series in Liège and at the Bozar in Brussels, his inaugural season includes three CD recordings, a continued collaboration with Mezzo HD as well as a tour to the Bucharest Enescu Festival. Gergely also continues as Chief Conductor of the Savaria Symphony Orchestra in his native Hungary, a post he occupies since 2014. He was previously music Director of the Orchestre Dijon Bourgogne from 2013-2019.
Having forged strong professional relationships throughout Europe, Gergely regularly appears as a guest conductor with orchestras including the BBC Symphony, Hallé, BBC Philharmonic, Orchestre Philharmonique de Radio France, Orchestre National de Lyon, Filarmonica della Scala, Maggio Muiscale Fiorentino, Orchestra Sinfonica Nazionale della RAI, Hungarian National Philharmonic and Hungarian Radio orchestras, the Copenhagen, Oslo, Bergen, Luxembourg and Warsaw National philharmonic orchestras as well as with the Scottish Chamber Orchestra, Münchener Kammerorchester and Academy of Ancient Music. Further afield, he has appeared with the Melbourne, Queensland and Houston Symphony orchestras.
Highlights of the 2019/20 season include Gergely’s debut with Netherlands Philharmonic at the Concertgebouw, where he will also make a second appearance for his Netherlands Radio Philharmonic debut in August 2020. Gergely has further debuts with BBC National Orchestra of Wales, Norwegian Radio Orchestra and the chamber orchestras of Lausanne and Geneva. Gergely returns once more to the Hallé for several UK appearances throughout the season. Other re-invitations include Philharmonia Orchestra, Orchestre National de Montpellier, BBC Scottish Symphony and the BBC Singers.
The previous season saw Gergely opening the 2018 Milano Musica Festival at La Scala, his debut at the Philharmonie de Paris with the Lucerne Festival Academy Orchestra, his debuts at the Barbican and Royal Festival Hall in London as well as Suntory Hall in Tokyo.
While Gergely is grounded in the core classical and romantic repertoire, he maintains a close relationship with new music. He has collaborated closely with composers Geroge Benjamin, Péter Eötvös, György Kurtág, Tristan Murail, Luca Francesconi and Pierre Boulez, for whom he served as assistant conductor at the Lucerne Festival Academy between 2011- 2013. He conducted over 100 works written after 1970, including many world premieres.
Gergely has also established a fine reputation as an opera conductor. In 2012 he was the inaugural Sir Charles Mackerras Fellow at the English National Opera. The fellowship culminated in his debut with the company, where he conducted Simon McBurney’s new production of Magic Flute at the London Coliseum. Since then he has conducted highly praised productions of Le nozze di Figaro, Die Zauberflöte, Otello, La traviata, La Bohème and Lucia di Lammermoor at such houses as the Dutch National Opera, Grand Théâtre de Genève (with Orchestre de la Suisse Romande) and Hungarian State Opera, among others. Prompted by a keen interest in re-discovering rarely performed works, Gergely has also conducted productions of Goldmark’s Ein Wintermärchen, Grieg’s Peer Gynt, Barber’s Vanessa, Donizetti’s Viva la Mamma and Offenbach’s Fantasio.
Born in Budapest in 1984, Gergely first began studying folk music with the last generation of authentic Hungarian Gipsy and peasant musicians at the age of five. He then went on to study classical flute, violin and composition, graduating from the flute faculty of the Liszt Academy in Budapest, as well as the conducting faculty of the University of Music and Performing Arts in Vienna. Besides his varied musical activities, Gergely retains a deep passion for Magyar music, and is an ambitious advocate of Bartók, Kodály and Dohnányi, both at home and abroad, having conducted nearly the complete orchestral repertoire of these composers.
Conductor | CROATIA
Acclaimed as “dynamic and knowledgeable” by the Buenos Aires Herald, Croatian conductor Miran Vaupotić has worked with eminent orchestras including the London Symphony Orchestra, the Royal Scottish National Orchestra, the Russian National Orchestra, the St. Petersburg State Symphony Orchestra, the Slovak Radio Symphony Orchestra, the Budapest Symphony Orchestra MÁV, Orchestre de Chambre de Genève, the Cairo Symphony Orchestra, the Prague Radio Symphony, Orquesta Sinfónica Nacional Argentina and others, performing in major halls around the globe, such as Carnegie Hall, Wiener Musikverein, Berliner Philharmonie, Rudolfinum, Smetana Hall, Victoria Hall, Forbidden City Concert Hall, Shanghai Oriental Art Center, Tchaikovsky Hall, International House of Music, CBC Glenn Gould Studio etc.
A strong advocate for new music, Vaupotić has premiered many pieces including Carlos Franzetti’s Clarinet Concerto, Roberto Di Marino’s Guitar Concerto, Primous Fountain’s Symphony No. 2 commissioned by 28-time Grammy Award-winning American producer Quincy Jones, and most recently The Wild Symphony composed by #1 New York Times bestselling author Dan Brown (The Da Vinci Code).
He also premiered several operas including Waundell Saavedra’s Sweet Dreams, John Rose’s Rumpelstiltskin directed by Tyler Bunch (The Muppets) at The National Opera America Center in New York City, and Jelka by the late Croatian composer Blagoje Bersa, bringing the piece to life a century after the influential composer’s passing.
As a recording artist Vaupotić released albums with Naxos, Classic Concert Records and Navona Records. In 2015 he was honored with the Gold Medal at the Global Music Awards in California (USA).
Miran Vaupotić won First Prize and special award at the 12th International Aram Khachaturian Conducting Competition in Yerevan, Armenia. Today, he is the Chief Conductor of the Croatian Chamber Orchestra (since 2016), Artistic Director of the Piazzolla Music Competition, Project Director at PARMA Recordings and Chief Conductor of the South Czech Philharmonic (since 2021).
Conductor | UK
Stravinsky looks to be a major talent. (Music OMH) Stravinsky’s approach lent the music special change. (BachTrack) Born in Kazakhstan to a musical family Marius Stavinsky began playing the violin when he was four-years old. Educated at the Moscow Central Music School and the Yehudi Menuhin school, he went on to become the first former Soviet student to secure a scholarship to Eton College. He graduated from the Royal Academy of Music, London, in 2002. Stavinsky’s passion for conducting began aged 13 after playing the Brunch Violin Concerto for Mariss Jamsons - now one of his regular conducting mentors.
In 1998 he spent a summer assisting Claudio Abbado in Peter Brook’s production of Don Giovanni at the Festival d’Aix-en-Provence, and his studies at the Royal Academy were led by Igor Golovchin and Thomas Sanderling, with masterclasses from Kenneth Kiesler and Eri Klas.
From 2002-2005, Stravinsky returned to Moscow to study conducting with Vladimir Ponkin, working as his Assistant Conductor in both the Moscow Philharmonic Orchestra and the Helikon Opera. Whilst resident at Helikon Opera, his performances included fully staged productions of Berg (Lulu), Bizet (Carmen), Giorgdano (Siberia), Poulenc (Les Dialogue des Carmelites), Prokofiev (The Story of a Real Man), Rimsky-Korsakov (Kaschei the Immortal), Shostakovich (Lady Macbeth of the Mtensk District), and works by his forebear Igor Stravinsky (such as Mavra).
In 2007, Stravinsky was awarded the position of Chief Conductor & Artistic Director of the Karelia Philharmonic Orchestra, becoming the youngest conductor in Russia to hold such a post. Following his five-year tenure in this role, he then – at the personal invitation of Vladimir Jurowski – took up the position of Assistant Conductor of the London Philharmonic Orchestra for the 2013/2014 season. Since then he has gone on to work with top orchestras around the world, including the Royal Philharmonic Orchestra, the Philharmonia, Deutsche Oper Berlin, the Berlin Staatskapelle, Queensland Symphony, and Tokyo Opera Philharmonic.
Stravinsky enjoys a particularly strong profile in Russia, working with top orchestras and institutions including the Russian National Orchestra, Russian Philharmonic, and the St. Petersburg Symphony Orchestra. He regularly conducts at the Mariinsky Theatre (both in symphonic concerts and operatic performances), and enjoys a close collaboration with the State Academic Symphony Orchestra of Russia ‘Evgeny Svetlanov’ (GASO).
Stravinsky boasts a diverse repertoire, and a discography that includes world premiere recordings of Ignaz Brüll’s Violin Concerto and Symphony in E minor, Salomon Jadassohn’s Symphony No.1, and Pavel Pabst’s Piano Concerto, on the Cameo Classics Label. During his tenure as Chief Conductor & Artistic Director, Stravinsky also released recordings of major works by Thomas Blower, Dororthy Howell, Joseph Holbrooke and Sergey Zhukov with the Karelia Philharmonic Orchestra.
Resident in Berlin, Stravinsky also spends time in St. Petersburg, where during the 2016/2017 season he became Founder & Music Director of the St. Petersburg Festival Orchestra – launched with a performance of Oedipus Rex at the Alexandrinsky Theatre in February 2017. Highlights of Stravinsky’s 2017/2018 season include productions at the Berlin Staatsballett with the orchestras of the Berlin Staatskapelle and Deutsche Oper, and debuts with the London Philharmonic Orchestra (Royal Festival Hall, London), and the Symphonieorchester des Bayerischen Rundfunks.
Conductor | USA/Spain
Grammy nominated conductor, cellist and conductor Dmitry Yablonksy was born in Moscow into a musical family. He began playing the cello when he was 5 years old and was accepted to the Central Music School for gifted children. At the age of 9 he gave his orchestral debut playing Haydn’s cello concerto. Since then, his career had taken him to the most important stages in the world, such as the Carnegie Hall, La Scala, Moscow Great Hall, St. Petersburg Philharmonic Hall, Taiwan National Hall, Theatre Champs Elysees, Tokyo Opera City Hall among others. He has collaborated with many world renown artists as Monserrat Caballe, Roberto Alagna, Olga Borodina and many more. Dmitry started to conduct at age 26 and has conducted more then 50 orchestras all over the world including The Royal Philharmonic Orchestra with whom he made 4 cd’s.Dmitry Yablonsky has studied cello with Isaak Buravsky, Lorne Monroe, David Soyer, Aldo Parisot and Zara Nelsova. He also took master classes with Mstislav Rostropovich, Janos Starker, Andre Navarra, Maurice Gendron, , Misha Schneider among others. His conducting teachers have been Otto Werner Muller, Yuri Simonov and Gennady Rozhdestvensky. He has participated in many festivals all over the world including Marlboro Festival. He has recorded more then 90 CD’s as cellist and conductor to great critical acclaim. He is an Artistic Director of Gabala Music Festival, Puigcerda Music Festival and Wandering Music Stars Festival. Dmitry Yablonsky is Music Director of Kiev Virtuosi Symphony Orchestra. Since fall 2016, he is teaching cello and chamber music at the Buchmann-Mehta School of Music at Tel Aviv University and has been recently named Head of International Relations of the same University.Dmitry plays two cellos: a Joseph Filius Andrea Guarneri and a Matteo Goffriller.
Conductor | THE NETHERLANDS
Conrad van Alphen has gained tremendous popularity with orchestras and audiences alike for his visionary interpretations which he craftly directs in his energetic, efficient, kind and communicative performance style.
Equally at ease with the classical genre as with large symphonic repertoire Conrad van Alphen boasts an impressive array of appearances with orchestras such as the Montreal Symphony Orchestra, Stuttgarter Philharmoniker, Bochumer Symphoniker, Nordwestdeutsche Philharmonie, Berliner Symphoniker, Russian National Orchestra, Svetlanov Symphony Orchestra, Moscow Philharmonic Orchestra, Brussels Philharmonic, Residentie Orchestra The Hague, Bogota Philharmonic, Enescu Philharmonic Bucharest, Budapest Symphony Orchestra Mav, Jerusalem Symphony Orchestra, Symphony Orchestra of the Gran Teatre del Liceu and many more.
At the turn of the millennium Conrad founded Sinfonia Rotterdam, of which he remains chief conductor and artistic director. The orchestra presents successful concert series at de Doelen in Rotterdam, Amare in The Hague and at the Royal Concertgebouw in Amsterdam. Under Conrad’s energetic leadership Sinfonia Rotterdam is regularly invited to perform in venues and festivals around Europe and intercontinentally tours to Mexico, Brazil, Columbia, Chile, China and Russia.
Soloists of the highest calibre hail Conrad for his masterful concerto accompaniments, to mention only a few: Mikhail Pletnev, Maxim Vengerov, Nikolai Lugansky, Ronald Brautigam, Alexei Volodin, Simone Lamsma, Alena Baeva, Alban Gerhardt and Mischa Maisky.
For four years Conrad van Alphen was chief conductor of the Russian State Safonov Philharmonic Orchestra. As former Artist of the Moscow Philharmonic Society he regularly conducted the major Moscow orchestras in the Grand Hall of the Moscow Conservatory and the legendary Tchaikovsky Hall.
Conrad van Alphen was born and bred in South Africa. After moving to The Netherlands at the age of 26 he joined the double bass section of the Netherlands Radio Symphony Orchestra and the Beethoven Academie Antwerp, whilst continuing his conducting studies with Eri Klas and Roberto Benzi.
- Chief Conductor and Artistic Director Sinfonia Rotterdam
- Programmer Festival van Zeeuwsch Vlaanderen
“Bright feast for the senses: Montreal music lovers can boast of having witnessed one of the most brilliant feats of their symphony orchestra, which delivered a performance of rare elegance. The charismatic conductor Conrad van Alphen breathed an impressive breath of fresh air into Rachmaninov’s majestic Second Symphony”
Review Montreal Symphony Orchestra
Conductor | Italy
Praised by the Sunday Times "for his unfailingly theatrical and idiomatic conducting", conductor Gianluca Marcianò made his debut in 2006 at the Croatian National Theatre in Zagreb.
Originally from Lerici, in the province of La Spezia, he founded the Suoni dal Golfo Festival in his hometown overlooking the Gulf of Poets, renamed Lerici Music Festival in 2020, of which he is artistic director. Marcianò has very strong ties with the Opera Houses of
Oviedo, Minsk, Ljubjana, as well as in the UK (English National Opera, Grange Park Opera, Scottish Opera, Opera North and Longborough Opera Festival). At Grange Park Opera, since 2010, he conducted La Traviata, Tosca, Un ballo in maschera, Rigoletto, The
Magic Flute, The Marriage of Figaro, Don Giovanni, Così fan Tutte, Alzira, Nabucco, Don Carlo, Evgenij Onegin, Samson et Dalila and Madama Butterfly. He is Artistic Director of the Al Bustan Festival in Beirut and Principal Guest Conductor of Armenian State Symphony Orchestra. From 2011 to 2014 he was Music Director of the Tbilisi State Opera, conducting La Forza del Destino, Cavalleria Rusticana, Nabucco, Attila, Il Trovatore, Mithridates, King of Pontus and Aida.
From 2017 to 2019 Gianluca Marcianò has been Principal Conductor of the Serbian National Theatre in Novi Sad. Marcianò has worked with many great singers and instrumentalists, such as: Elina Garanča, Sumi Jo, Joseph Calleja, Simon Keenlyside, Sondra Radvanovsky, Olga Peretyatko, Danielle De Niese, Gautier Capuçon, Renaud Capuçon, Arabella Steinbacher, Anna Tifu, Francesca Dego, Vanessa Benelli Mosell, Steven Isserlis, Boris Andrianov, Maria João Pires, Gloria Campaner, David Geringas, Khatia Buniatshvili, Sergei Krylov, Nina Kotova, Giovanni Sollima, Sergei Nakariakov, Denis Kozhukin and Alexander Buzlov. He conducted the Royal Philharmonic Orchestra, the English Chamber Orchestra, the National Chamber Orchestra of Armenia, Polish Baltic
Philharmonic, Wroclaw Philharmonic, Georgian Philharmonic, Tokyo New City Orchestra, Bournemouth Symphony Orchestra, Hallé Orchestra, Oviedo Filarmonia, Moscow City Russian Philharmonic, Sarajevo Philharmonic Orchestra, Orchestra di Padova e del Veneto, Lebanese Philharmonic Orchestra, Orchestra Classica de Madeira, State Youth Orchestra of Armenia, BBC Concert Orchestra, World Orchestra, Voivodina Symphony Orchestra, Macau Orchestra, Beijing Symphony Orchestra, Malta Philharmonic Orchestra and others. He recently recorded the album "Momento Immobile" for Rubicon Classics, with soprano Venera Gimadieva and Hallé Orchestra.
His 2021/22 engagements include Falstaff with Bryn Terfel at Grange Park Opera, Nabucco at Opera de Oviedo, a concert with Joseph Calleja at the Ljubljana Winter Festival, a concert with Carmen Giannattasio at the Inclassica Festival in Malta conducting the
Jerusalem Symphony Orchestra, two new productions of Tosca and I Capuleti e I Montecchi at the Slovenian National Theatre of Ljubljana, concerts with Malta Philharmonic Orchestra, Armenian State Symphony Orchestra, Orchestra Sinfonica della Città Metropolitana di Bari, Tokyo 21c Philharmonic.
In 2017 Marcianò receive the Honorary Citizenship of the City of Lerici for his achievements and in 2018 has been awarded of the Pavlova Award.
He is Principal Conductor designated of Orchestra della Magna Grecia in Taranto and Matera.
Conductor | Armenia
Sergey Smbatyan is the Artistic Director and Principal Conductor of the Armenian State Symphony Orchestra and the Principal Conductor of the Malta Philharmonic Orchestra. An avid popularizer of classical music, the conductor has an extensive international engagement, and is committed to rejuvenating the classical music audiences and the promotion of contemporary classical music globally.
Born into a family of musicians, Sergey Smbatyan took his first steps in the world of classical music under the guidance of her grandmother Tatyana Hayrapetyan, a distinguished violin teacher, followed by his education at Komitas State Conservatory of Yerevan and Moscow State Tchaikovsky Conservatory.
Subsequently, in 2012, he furthered his academic journey at the Royal Academy of Music, studying under Sir Colin Davis. His studies under the guidance of Riccardo Muti and Valery Gergiev significantly influenced and enhanced his proficiency in conducting.
Sergey Smbatyan's conducting career was highlighted by his debut performance with the London Symphony Orchestra at Windsor Castle, under the auspices of Prince Charles, now HRH Charles III. The impressive success of this concert led to a subsequent invitation, where he conducted the Philharmonia Orchestra at Buckingham Palace.
Sergey Smbatyan's extensive international involvement as a conductor and his distinctive appreciation for contemporary classical music has led to a wide array of collaborations with globally acclaimed composers, such as Krzysztof Penderecki, Tigran Mansuryan, Arvo Pärt, Gia Kancheli, and many others. Among such notable endeavors were the large-scale projects conducted with John Malkovich in several countries of Latin America and Asia. Led by Sergey Smbatyan and accompanied by the Armenian State Symphony Orchestra, the iconic Hollywood artist delivered a unique musical performance in Yerevan, presenting a reading of excerpts from “The Book of Lamentations” by the medieval Armenian poet Grigor Narekatsi.
The conductor serves as the artistic director of a number of annual music festivals, as well as the Khachaturian International Competition, to which the category of conducting was introduced through Sergey Smbatyan's initiative. Among the festivals founded by Sergey Smbatyan are the Khachaturian International Festival, which aims to uphold the legacy of Aram Khachaturian and other famous Armenian composers, the "Armenia" International Music Festival, which hosts world-renowned virtuoso musicians to perform in Armenia, the Penderecki Contemporary Music Festival, which showcases the works of contemporary legendary composers, and others.
Sergey Smbatyan is the founder of the "Music for Future Foundation (M4FF)”, which is committed to discovering young talented musicians and fostering their career advancement.
He strives to champion innovative approaches in the classical music industry, consistently seeking creative ideas and solutions in implementing various projects. During the opening ceremony of "WCIT 2019," the largest IT Congress for innovators and entrepreneurs, hosted in Armenia, an international orchestra performed an AI real-time-composed musical piece under the direction of Sergey Smbatyan.
Sergey Smbatyan releases recordings with the Armenian State Symphony Orchestra on their own "ArmSymphony Records" label and is actively involved in recording contemporary classical music with the London Symphony Orchestra and other orchestras. His recent engagements include the album of spiritual music "Ave Maria" recorded with the Malta Philharmonic Orchestra and the world-renowned tenor Joseph Calleja, released under the "DECCA Records" label, the album “Aznavouriana” by Deutsche Grammophon with the Armenian State Symphony Orchestra and cellist Camille Thomas in commemoration of French-Armenian singer and composer Charles Aznavour’s 100th anniversary.
In recent concert seasons, Sergey Smbatyan has served as a guest conductor with leading orchestras, including the London Symphony Orchestra, the Philharmonia Orchestra, the Warsaw Philharmonic Orchestra, the Dresden Philharmonic Orchestra, the Israel Philharmonic Orchestra, the Prague Radio Symphony Orchestra, the Mariinsky Theater Symphony Orchestra, the Slovak Philharmonic Orchestra, and many others.
As the conductor of the Malta Philharmonic Orchestra, Sergey Smbatyan embarked on numerous concert tours and performed at prestigious venues such as Carnegie Hall in New York, the Kimmel Center in Philadelphia, the Munich’s Gasteig , Vienna’s Musikverein, the Berliner Philharmonie, and other renowned concert halls.
In 2023, he led the Armenian State Symphony Orchestra on a grand UK tour, dedicated to Aram Khachaturian’s 120th anniversary and in 2024 on the orchestra’s debut tour in the United States with the performances at Boston’s Symphony Hall, New York City’s Carnegie Hall, and Los Angeles Music Center’s Walt Disney Concert Hall.
Highlights of 2024/25 season include concerts with the Madrid Philharmonic Orchestra, the Ontario Philharmonic Orchestra, the Krakow Philharmonic Orchestra, and the Shanghai Philharmonic Orchestra as well as performances at Salle Gaveau and the Cité de la Musique of the Paris Philharmonie with the Armenian State Symphony Orchestra featuring French and Armenian composers.
Up until the 2024/25 season, Sergey Smbatyan will be Principal Guest Conductor of Berlin Symphony.
Sergey Smbatyan holds the title of Honoured Artist of the Republic of Armenia and the title of “Chevalier of Arts and Letters” of France.
Sergey Smbatyan was appointed as a UNICEF National Ambassador in 2023.
Conductor | Italy
Born in Rostov-on-Don. In 2000 he graduated from the Tchaikovsky Moscow State Conservatory, and in 2002 he completed postgraduate studies there. Since 2009 — Associate professor of MGK. Since 2001 — conductor of the Bolshoi Theater.
Under his leadership, the Bolshoi Theater premiered seventeen ballet performances, among the recent ones – "Sacred Spring" by I. Stravinsky (2013), "Variations on the theme of Frank Bridge" to the music of B. Britten, "Very briefly together" to the music of M. Richter and L. van Beethoven, "Symphony of Psalms" to the music of I. Stravinsky, "Undine" by H. V. Henze and "The Golden Age" by D. Shostakovich (all – 2016), "Romeo and Juliet" by S. Prokofiev (2017), "Petrushka" by I. Stravinsky (2018), "Giselle" by A. Adan (2019).
Maestro Klinichev appeared with the Bolshoi Opera, Ballet and Orchestra at the most famed venues, including the Teatro alla Scala, The Metropolitan Opera, The Royal Opera House Covent Garden, The John F. Kennedy Center for Performing Arts, Opera Garnier, Bunka Kaikan (Tokyo), The National Center for the Performing Arts (Beijing) and many others.
In 2014, 2015, 2017 and 2019 he received awards in Russian National Theater Award "Golden Mask" ("The best work of a conductor").
In 2021 he received the title of Honored Artist of Russia.
Conductor | THE NETHERLANDS
“Daniel Raiskin is clearly a musician of sensibility, well versed in his craft; a further example perhaps of one last great gift of the old Soviet Union, the rigour and distinction of its conducting schools” (by David Gutman, Gramophone)
A son of a prominent musicologist, Daniel Raiskin grew up in St. Petersburg. He attended the celebrated conservatory in his native city and continued his studies in Amsterdam and Freiburg. First focusing on viola, he was inspired to take up the baton by an encounter with the distinguished teacher Lev Savich. In addition, he also took classes with Maestri such as Mariss Jansons, Neeme Järvi, Milan Horvat, Woldemar Nelson und Jorma Panula. Raiskin, who cultivates a broad repertoire, often looks beyond the mainstream in his strikingly conceived programs.
From the 2020/2021 season Daniel Raiskin is the Chief Conductor of the Slovak Philharmonic Orchestra in Bratislava. In addition, he is Music Director of the Winnipeg Symphony Orchestra since August 2018 and Principal Guest Conductor of the Belgrade Philharmonic Orchestra from season 2017/18.
The 2021/22 season includes guest conducting appearances with Warsaw Philharmonic Orchestra, Hong Kong Sinfonietta, Stuttgarter Philharmoniker, Tchaikovsky Symphony Orchestra Moscow and Orquesta Clássica Santa Cecilia Madrid.
With the Winnipeg Symphony in May 2022 he will undertake a European tour with appearances at the Concertgebouw in Amsterdam, De Doelen in Rotterdam and Tivoli in Utrecht among others. Raiskin served as Principal Guest Conductor of the Orquesta Sinfónica de Tenerife 2017-18, Chief Conductor of both, the Staatsorchester Rheinische Philharmonie in Koblenz (2005-2016) and of the Artur Rubinstein Philharmonic Orchestra in Lódz (2008-2015). His regular guest appearances include the Athens State, Copenhagen Philharmonic, Düsseldorfer Symphoniker, Iceland Symphony, Japan Century Symphony, Malmö Symfoni Orkester, Mariinsky Orchestra, Moscow Philharmonic, Mozarteumorchester Salzburg, National Symphony Orchestra Taiwan, NDR Radiophilharmonie Hannover, NFM Wrocław Philharmonic, Orchestre National de Belgique, Orchestre National de Lyon, Orquesta Sinfónica Nacional de México, Osaka Philharmonic, Residentie Orkest, San Antonio Symphony, St. Petersburg Philharmonic Symphony, Stavanger Symphony, Swedish Chamber and the Tonkünstler orchestras.
His appearances in opera productions include Carmen, Shostakovich’s The Nose and Mozart’s Don Giovanni among others.
Daniel Raiskin is also relentlessly committed to sharing his knowledge and passion with young musicians around the world. He devotes his time regularly to working with youth orchestras in a.o. Canada, Estonia, Germany, Iceland, Netherlands, Russia and South Africa. Among the major soloists with whom he has appeared are Emanuel Ax, Renée Fleming, Nelson Freire, Martin Fröst, Alban Gerhardt, Vadim Gluzman, Natalia Gutman, Kari Kriikku, Simone Lamsma, Lang Lang, Francois Leleux, Jan Lisiecki, Alexei Lubimov, Tatjana Masurenko, Albrecht Mayer, Daniel Müller-Schott, Olli Mustonen, Steven Osborne, Julian Rachlin, Benjamin Schmid, Julian Steckel, Anna Vinnitskaya and Alexei Volodin. Recent recordings include Mahler Symphony No. 3 and Shostakovich Symphony No. 4 with the label AVI, both to great critical acclaim. His recording with cello concertos by Korngold, Bloch and Goldschmidt with Julian Steckel and the label AVI received an Echo Klassik Award in 2012. Other recent recording projects include a Louis Glass Symphony cycles and a concerto cycle with the entire concertos and rhapsodies by Aram Khachaturian, both with the label CPO, Lutoslawski’s vocal-instrumental works with the label Dux and a recording of Alexander Tansman’s Isaie le Prophète and Psaumes with the label World Premiere Recordings.
Germany
For more than five decades, the Berliner Symphoniker have been an integral part of Berlin's musical and cultural life and have enriched the German orchestra landscape. Since 1990 they have been the orchestra for all Berliners.
In addition to the popular and long-established symphony concerts that take place in the Berlin Philharmonic, the Berliner Symphoniker perform throughout Berlin and the surrounding area: They are regular guests at the Konzerthaus Berlin, the University of the Arts, the Berlin Cathedral, the Kulturbrauerei and the Chorin Monastery, among others. With guest performances in Europe and tours to North and South America, Africa and Asia as well as appearances at international festivals (including in France, Italy, Austria, Spain and Israel), the Berliner Symphoniker have presented themselves successfully worldwide and see themselves as Berlin's cultural ambassadors.
In addition to the classical, wide-ranging and popular range of concerts, the repertoire of the Berliner Symphoniker also includes special rarities - unknown and forgotten works as well as contemporary compositions.
Music communication as a special focus has always been a trademark of the orchestra. It was the Berliner Symphoniker, for example, who were the first orchestra in Berlin to develop a music education profile with school concerts and children's and family concerts and who established and promoted work with young people in the long term. Numerous CD recordings and television recordings round off the multifaceted work of the Berliner Symphoniker.
Israel
The Jerusalem Symphony Orchestra, IBA was established in 1936 as a small studio ensemble, which grew into the Palestine Broadcasting Service Orchestra. With the foundation of the State of Israel the orchestra became the national radio orchestra, known as the Kol Israel Orchestra. In the 1970s, the orchestra was expanded and became the Jerusalem Symphony Orchestra, Israel Broadcasting Authority. The orchestra was the first to perform in Israel the works of Sofia Gubaidolina, Henri Dutilleux, Alfred Schnittke and others. Through the years some of the greatest musicians have performed with the orchestra, among them Arthur Rubinstein, Igor Markevitch, Otto Klemperer, Henryk Szeryng, Isaac Stern, Radu Lupu and Yefim Bronfman. One of the most notable premières performed by the orchestra was The Seven Gates of Jerusalem by the Polish composer Krzysztof Penderecki, conducted by Lorin Maazel, which was composed for the finale of the Jerusalem 3000 celebrations. This was a joint venture with the Bavarian Radio Orchestra. The orchestra often tours in Europe and the United States, and has played in some of the most prestigious venues. Recently JSO had successful tours to USA, where concerts took place from Florida to Massachusetts and for the first time a tour in Japan, both tours with Dmitry Yablonsky as conductor and soloist.
Slovakia
THE SLOVAK PHILHARMONIC ORCHESTRA was established in 1949. Two highly reputed, internationally acclaimed personalities, Václav Talich (Principal Conductor, 1949 – 1952) and Ľudovít Rajter (1949 – 1976, and the orchestra’s Artistic Director until 1961), stood at the orchestra’s birth. Other chief conductors who have played an instrumental role in the orchestra’s musical evolution include Tibor Frešo, Ladislav Slovák, Libor Pešek, Vladimir Verbitsky, Bystrík Režucha and Aldo Ceccato. Between 1991 and 2001 the role of Chief Conductor and Music Director was held by Ondrej Lenárd. In the 2003/2004 season Jiří Bělohlávek acted as Artistic Director. In 2004 Vladimír Válek became Chief Conductor, and was succeeded by Peter Feranec in 2007 – 2009. From 2009 – 2016 the French conductor Emmanuel Villaume was the orchestra’s Chief Conductor and from 2017 until 2020, the British conductor James Judd. Leoš Svárovský (from 2007 – 2018), Rastislav Štúr (from 2011 – 2019) and Petr Altrichter (for the 2018/2019 season) have been Permanent Guest Conductors of the Slovak Philharmonic. From the 2020/2021 season Daniel Raiskin became Chief Conductor of the Slovak Philharmonic Orchestra.
Among the many guest conductors who have worked with the Slovak Philharmonic over the years, international personalities like János Ferencsik, Witold Rowicki, Václav Smetáček, Karel Ančerl, Franz Konwitschny, Arvīds Jansons, Václav Neumann, Hermann Abendroth, Antonio Pedrotti, Sir Eugene Goossens, Sir Malcom Sargent, Roberto Benzi, Kurt Masur, Sir Charles Mackerras, Carlo Zecchi, Serge Baudo, Claudio Abbado, Kurt Sanderling, Zdeněk Košler (who, thanks to his longstanding fruitful collaboration with the orchestra, was awarded the honorary title of ‘Chief Conductor in memoriam’ in 1996), Riccardo Muti, Karl Richter, Kirill Kondrashin, Leif Segerstam, Alain Lombard, Sergiu Celibidache, Thomas Sanderling, Oskar Danon, Mario Rossi, Neeme Järvi, Ken-Ichiro Kobayashi, Evgeny Svetlanov, Mariss Jansons, Christoph von Dohnányi, Dmitri Kitayenko, Otmar Suitner, James Conlon, Valery Gergiev, Alexander Rahbari, Fabio Luisi, Sir Yehudi Menuhin, Peter Schreier, Vladimir Fedoseyev, Ralf Weikert, Miltiades Caridis, Pinchas Steinberg, Peter Keuschnig, Tomáš Hanus, Jakub Hrůša, Juraj Valčuha, Tomáš Netopil, Ion Marin, Pavel Baleff, George Pehlivanian, Jun Märkl, Ilan Volkov, Wayne Marshall, Eivind Gullberg Jensen, Alan Buribayev must be mentioned, as well as composers and artists of own works like Jean Martinon, Krzysztof Penderecki a Aram Khachaturian.
The orchestra has made numerous recordings for radio, television and the music publishers OPUS, Supraphon, Panton, Hungaroton, JVC Victor, RCA, Pacific Music, Naxos and Marco Polo. The Slovak Philharmonic Orchestra regularly gives guest performances on leading European stages and at festivals. In the course of its numerous tours abroad, the Slovak Philharmonic has performed in nearly every European country, as well as in Cyprus, Turkey, Japan, South Korea, the USA and Oman.
One of the most important events of the 2019/2020 season, which had to be ended prematurely due to the coronavirus pandemic, was a trio of concerts by the SPh at the Bratislava Music Festival with the conductors James Judd, Juraj Valčuha and Pinchas Steinberg, a special concert to commemorate the Milan Rastislav Štefánik Year, gala concerts to celebrate the 70th anniversary of the Slovak Philharmonic, and the 30th Anniversary Concert of the Velvet Revolution.
The planned SPh concert tour to South Korea and Japan, which should have taken place this season, has been moved to 2023 as a result of the overall situation in the world.
